The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
Vyhledávání v knize
Výsledky 1-3 z 37
Strana 9
... includes studying the context of the era and includes gender as an important category of literary analysis.27 For humor to be effective as a critical force , it requires shared knowledge and experience , a " culturally and historically ...
... includes studying the context of the era and includes gender as an important category of literary analysis.27 For humor to be effective as a critical force , it requires shared knowledge and experience , a " culturally and historically ...
Strana 36
... include general references to time . It is divided into three chapter - like sections , each including a reference to ... includes several specific time references which coincide with points of change in Doris's life . In section three ...
... include general references to time . It is divided into three chapter - like sections , each including a reference to ... includes several specific time references which coincide with points of change in Doris's life . In section three ...
Strana 42
... includes of developing into love . What Doris scripts out for her conversation with Karl includes signals and hints of a hopeful , positive , and forward - looking attitude toward the possibilites of a meaningful relationship with him ...
... includes of developing into love . What Doris scripts out for her conversation with Karl includes signals and hints of a hopeful , positive , and forward - looking attitude toward the possibilites of a meaningful relationship with him ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York