The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Výsledky 1-3 z 43
Strana 24
... lines , Doris has rejected both poetry and the epistolary as appropriate forms for her life story and has opted to identify with a well- known acresss and model her writing after this visual medium . These lines express Doris's search ...
... lines , Doris has rejected both poetry and the epistolary as appropriate forms for her life story and has opted to identify with a well- known acresss and model her writing after this visual medium . These lines express Doris's search ...
Strana 71
... line ( “ Base , sie wollen fort . " ) , for it expresses dismay that the soldiers ( who are the play ) are leaving . And ... lines once again address the gender disparity in available roles , and Doris's response indirectly exposes the ...
... line ( “ Base , sie wollen fort . " ) , for it expresses dismay that the soldiers ( who are the play ) are leaving . And ... lines once again address the gender disparity in available roles , and Doris's response indirectly exposes the ...
Strana 89
... lines spoken by Wallenstein in Wallensteins Tod.42 He too ponders the lack of control over his fate : " Wär's möglich ? Könnt ' ich nicht mehr , wie ich wollte ? / ... Es war nicht / Mein Ernst , beschloßne Sache war es nie ...
... lines spoken by Wallenstein in Wallensteins Tod.42 He too ponders the lack of control over his fate : " Wär's möglich ? Könnt ' ich nicht mehr , wie ich wollte ? / ... Es war nicht / Mein Ernst , beschloßne Sache war es nie ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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