The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Strana 22
... lives of the many women they encounter on her life journeys . While illustrating the influence of the popular media and the increasing emphasis on the visual and visual pleasure , Keun simultaneously parodies the writer as elitist ...
... lives of the many women they encounter on her life journeys . While illustrating the influence of the popular media and the increasing emphasis on the visual and visual pleasure , Keun simultaneously parodies the writer as elitist ...
Strana 47
... lives of the working class could not be captured by the image of the life course proceeding in Goethe's " aufsteigende [ n ] Linie . " 26 Because of the " distance between the dominant norm and the lived reality ” 27 of the life - story ...
... lives of the working class could not be captured by the image of the life course proceeding in Goethe's " aufsteigende [ n ] Linie . " 26 Because of the " distance between the dominant norm and the lived reality ” 27 of the life - story ...
Strana 89
... lives and convinces them to do things they really did / do not want to do . This " Etwas " Doris is unable to name is perhaps " the sense women have had that their lives , both in and out of literature , have been plots constructed by ...
... lives and convinces them to do things they really did / do not want to do . This " Etwas " Doris is unable to name is perhaps " the sense women have had that their lives , both in and out of literature , have been plots constructed by ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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