The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
Vyhledávání v knize
Výsledky 1-3 z 85
Strana 33
... novel , Das kunstseidene Mädchen does incorporate characteristics typical of the epistolary romance novel . Keun frames the novel as the writing of a journal in which Doris often directs her thoughts to her absent mother in the style of ...
... novel , Das kunstseidene Mädchen does incorporate characteristics typical of the epistolary romance novel . Keun frames the novel as the writing of a journal in which Doris often directs her thoughts to her absent mother in the style of ...
Strana 48
... novel also breaks with the tradition of the Bildungsroman , which usually bears the name of the protagonist on which it focuses , such as Goethe's Wilhelm Meisters Lehrjahre . Keun's novel , Das kunstseidene Mädchen , is a description ...
... novel also breaks with the tradition of the Bildungsroman , which usually bears the name of the protagonist on which it focuses , such as Goethe's Wilhelm Meisters Lehrjahre . Keun's novel , Das kunstseidene Mädchen , is a description ...
Strana 192
... novel . Although she frames Das kunstseidene Mädchen as a journal , Keun inverts and revises the traditional forms of the romance novel and the traditionally male Bildungsroman . The traditional male protagonist of the Bildungsroman is ...
... novel . Although she frames Das kunstseidene Mädchen as a journal , Keun inverts and revises the traditional forms of the romance novel and the traditionally male Bildungsroman . The traditional male protagonist of the Bildungsroman is ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York