The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
Vyhledávání v knize
Výsledky 1-3 z 15
Strana
... original , beginning at the upper left - hand comer and continuing from left to right in equal sections with small overlaps . Each original is also photographed in one exposure and is included in reduced form at the back of the book ...
... original , beginning at the upper left - hand comer and continuing from left to right in equal sections with small overlaps . Each original is also photographed in one exposure and is included in reduced form at the back of the book ...
Strana 148
... original . And a great fear : she could come off unmodern . These two things struggle heroically and painfully in Ypsi's small , ash - blonde soul . Not because they are opposed to each other but the contrary , because the one is like ...
... original . And a great fear : she could come off unmodern . These two things struggle heroically and painfully in Ypsi's small , ash - blonde soul . Not because they are opposed to each other but the contrary , because the one is like ...
Strana 154
... original self- image and with the potential to subvert the fashion industry with her " counterfeit couture . " Gilgi can short - circuit the requisite waiting time for affordable copies of the original designer pieces to " trickle down ...
... original self- image and with the potential to subvert the fashion industry with her " counterfeit couture . " Gilgi can short - circuit the requisite waiting time for affordable copies of the original designer pieces to " trickle down ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
Běžně se vyskytující výrazy a sousloví
addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York