The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Strana 63
... play . This first indication of the marginalization of women in Schiller's piece is reinforced by the fact that the two female characters are not even given names in the play . They are simply labeled " eine Marketenderin " and " ihre ...
... play . This first indication of the marginalization of women in Schiller's piece is reinforced by the fact that the two female characters are not even given names in the play . They are simply labeled " eine Marketenderin " and " ihre ...
Strana 71
... play ) are leaving . And the protagonist Doris cannot understand what all the excitement is about . Her response counters the near exclusion of ( speaking ) women from the play with a dismissal of the importance of the male soldier ...
... play ) are leaving . And the protagonist Doris cannot understand what all the excitement is about . Her response counters the near exclusion of ( speaking ) women from the play with a dismissal of the importance of the male soldier ...
Strana 78
... play at the time . " The play's fame was such that when Germans thought of Judith they thought not of the Bible but of Hebbel . " 3 Nearly six thousand performances of Hebbel's plays were staged during the Weimar years.32 The complexity ...
... play at the time . " The play's fame was such that when Germans thought of Judith they thought not of the Bible but of Hebbel . " 3 Nearly six thousand performances of Hebbel's plays were staged during the Weimar years.32 The complexity ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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