The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Strana 33
Humor, Intertextuality, and Popular Discourse Lorna Sopcak. in the present tense , it breaks the illusion of immediacy the reader experiences in reading the text . If what we , the readers , are reading is Doris's journal , then this ...
Humor, Intertextuality, and Popular Discourse Lorna Sopcak. in the present tense , it breaks the illusion of immediacy the reader experiences in reading the text . If what we , the readers , are reading is Doris's journal , then this ...
Strana 34
... present participant in them . ” 17 But in the scene described above of Ernst reading Doris's journal , this is not the case . The " absence " is not real , but rather created by Doris's hesitation to correct the story - line she allows ...
... present participant in them . ” 17 But in the scene described above of Ernst reading Doris's journal , this is not the case . The " absence " is not real , but rather created by Doris's hesitation to correct the story - line she allows ...
Strana 163
... present an image . “ [ F ] ashion ” ( and cosmetics as a subcategory of fashion ) " not only protects us from ... presents is the carefully constructed image Gilgi creates for her Café meeting with Martin . " Die kleine Dame Gilgi ...
... present an image . “ [ F ] ashion ” ( and cosmetics as a subcategory of fashion ) " not only protects us from ... presents is the carefully constructed image Gilgi creates for her Café meeting with Martin . " Die kleine Dame Gilgi ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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addressed allows appears authority becomes beginning Berlin body cabaret calls carnival challenges character clothing communicate context create critical critique Culture describes desire discourse Doris Doris's dress emphasis added Ernst expectations experiences expression fantasy fashion female figure film follows frame Frau gender genre German Gilgi habe humor identifies identity illustrates includes influence interesting intertextuality invites Irmgard Irmgard Keun irony journal Judith Keun Keun's kunstseidene Mädchen language Liebe limited lines literary Literature lives Martin meaning narrative nicht novel offer original performance perspective play popular position present provides reader reading reference reflection relationship reveals revue role romance scene scripts sense situation social society song stage status story term texts theater theories thoughts traditional visual Wallensteins Weimar woman women writing York