The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Strana 80
... scene counters the misogynistic undertones of Hebbel's version by parodying Mila von Trapper's performance and questioning precisely the aspects of the performance which undermine Judith's heroic character : the possible pregnancy and ...
... scene counters the misogynistic undertones of Hebbel's version by parodying Mila von Trapper's performance and questioning precisely the aspects of the performance which undermine Judith's heroic character : the possible pregnancy and ...
Strana 84
... scene contrasts with the Wallenstein scene on several levels . Here the female role need not be foregrounded by Keun , since Judith is the heroine of Hebbel's play . But Mila von Trapper performs the scene in a closed group of only ...
... scene contrasts with the Wallenstein scene on several levels . Here the female role need not be foregrounded by Keun , since Judith is the heroine of Hebbel's play . But Mila von Trapper performs the scene in a closed group of only ...
Strana 109
Humor, Intertextuality, and Popular Discourse Lorna Sopcak. Each of these scenes sets up the culminating " Krach " -scene which could easily be performed as a cabaret sketch with its intensity and exaggerated visual images . Doris finds ...
Humor, Intertextuality, and Popular Discourse Lorna Sopcak. Each of these scenes sets up the culminating " Krach " -scene which could easily be performed as a cabaret sketch with its intensity and exaggerated visual images . Doris finds ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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