The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 211 |
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Strana 8
... visual images of the cinema which were reinforced by fashion magazines and the illustrated press and the influence of popular cabaret tunes . I interpret Keun's work as a critique of the deceptiveness of these visual images and story ...
... visual images of the cinema which were reinforced by fashion magazines and the illustrated press and the influence of popular cabaret tunes . I interpret Keun's work as a critique of the deceptiveness of these visual images and story ...
Strana 22
... visual and visual pleasure , Keun simultaneously parodies the writer as elitist intellectual , challenges traditional genre definitions , and exposes the misleading myths of love and romance circulated by the scripts of popular films ...
... visual and visual pleasure , Keun simultaneously parodies the writer as elitist intellectual , challenges traditional genre definitions , and exposes the misleading myths of love and romance circulated by the scripts of popular films ...
Strana 109
... visual images . Doris finds that she has gone too far with her manipulative sensuality ; she has administered her boss an overdose of her sensuous glances and body language . Though Lensing does not consider this scene humorous , I find ...
... visual images . Doris finds that she has gone too far with her manipulative sensuality ; she has administered her boss an overdose of her sensuous glances and body language . Though Lensing does not consider this scene humorous , I find ...
Obsah
Plot Summaries | 10 |
Humor Laughter and Carnival | 16 |
Genre Writing and the Writer | 23 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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