Four Comedies: The Taming of the Shrew, A Midsummer Night's Dream, The Merchant of Venice, Twel fth NightRandom House Publishing Group, 26. 8. 2009 - Počet stran: 736 The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Strana lxxi
... bottom]33 of brown thread. I said a gown. PETRUCHIO Proceed. TAILOR [reads] “With a small compassed135 cape-” GRUMIO I confess the cape. TAILOR [reads] “With a trunk137 sleeve-” GRUMIO I confess two sleeves. TAILOR [reads] “The sleeves ...
... bottom]33 of brown thread. I said a gown. PETRUCHIO Proceed. TAILOR [reads] “With a small compassed135 cape-” GRUMIO I confess the cape. TAILOR [reads] “With a trunk137 sleeve-” GRUMIO I confess two sleeves. TAILOR [reads] “The sleeves ...
Strana cxlvi
... Bottom the weaver and company, Shakespeare's primary inspiration was doubtless his 01111 111еа111са1 ехре11е11се, although even here he is indebted t0 Ovid for the story of Pyramus and Thisbe, and probably to Apuleius's Golden Ass ...
... Bottom the weaver and company, Shakespeare's primary inspiration was doubtless his 01111 111еа111са1 ехре11е11се, although even here he is indebted t0 Ovid for the story of Pyramus and Thisbe, and probably to Apuleius's Golden Ass ...
Strana cxlix
... Bottom -undergo a transforming experience engineered by the mischievous Puck. This experience demonstrates the universal power of love, which can overcome the queen of fairies as readily as the lowliest of humans. It also suggests the ...
... Bottom -undergo a transforming experience engineered by the mischievous Puck. This experience demonstrates the universal power of love, which can overcome the queen of fairies as readily as the lowliest of humans. It also suggests the ...
Strana cliii
... Bottom the weaver. The story 01 В0110111 and Titania i5 simultaneously classical and folk in nature. In a playfully classical mode, this love affair between a god and an earthy creature underscores humanity's double nature. Bottom ...
... Bottom the weaver. The story 01 В0110111 and Titania i5 simultaneously classical and folk in nature. In a playfully classical mode, this love affair between a god and an earthy creature underscores humanity's double nature. Bottom ...
Strana cliv
... Bottom's play. Puck, too, in his epilogue, invites any spectator offended by Shakespeare's play to dismiss it as a mere dream-as, indeed, the play's very title suggests. Theseus goes even further, linking dream t0 the essence of ...
... Bottom's play. Puck, too, in his epilogue, invites any spectator offended by Shakespeare's play to dismiss it as a mere dream-as, indeed, the play's very title suggests. Theseus goes even further, linking dream t0 the essence of ...
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Four Comedies: The Taming of the Shrew/a Midsummer Night's Dream/the ... William Shakespeare Náhled není k dispozici. - 1988 |
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actors Antonio Athens audience BAPTISTA Bassanio Bianca BIONDELLO BOTTOM Christian comedy daughter Demetrius director doctor of laws doth Duke Egeus Enter Exeunt Exit eyes FABIAN fair fairies father FESTE film fool friends gentleman give GOBBO GRATIANO GREMIO hast hath hear heart Helena Hermia Hippolyta HORTENSIO husband Jessica Julina Kate KATHARINA lady Lancelot lion look lord LORENZO lovers Lucentio Lysander madam MALVOLIO MARIA marriage marry master Merchant of Venice Midsummer Night’s Dream mistress moon Nerissa never o’er Oberon OLIVIA ORSINO PETRUCHIO play’s PORTIA pray production Puck Pyramus and Thisbe Queen QUINCE SALERIO Sebastian servant Shakespeare Shakespeare’s play Shrew Shylock Signor Ansaldo Signor Giannetto Silla Silvio SIR ANDREW SIR TOBY sleep SOLANIO speak stage swear sweet Taming tell theater thee There’s THESEUS thou art Thou shalt Titania TRANIO Twelfth Night unto Vincentio VIOLA What’s wife young апс1