Four Comedies: The Taming of the Shrew, A Midsummer Night's Dream, The Merchant of Venice, Twel fth NightRandom House Publishing Group, 26. 8. 2009 - Počet stran: 736 The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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... even the 00т10 100101у 01 Lancelot Gobbo. Shylock, in his quest for the pound of flesh, represents, as seen from a Christian point of view, a denial of all the paradoxical truths just described. As a usurer, he refuses to.
... even the 00т10 100101у 01 Lancelot Gobbo. Shylock, in his quest for the pound of flesh, represents, as seen from a Christian point of view, a denial of all the paradoxical truths just described. As a usurer, he refuses to.
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... Lancelot Gobbo's clowning offers a Similarly paradoxical comment on the tragedy of Shylock. Lancelot debates whether or not to leave Shylock's service in terms of a soul Struggle between his conscience and the devil (2.2.1-29) ...
... Lancelot Gobbo's clowning offers a Similarly paradoxical comment on the tragedy of Shylock. Lancelot debates whether or not to leave Shylock's service in terms of a soul Struggle between his conscience and the devil (2.2.1-29) ...
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... Lancelot is, in language adapted from the liturgy, “your boy that was, your son that is, your child that shall be.” In the episode of the rings, we encounter a final playful variation on the paradox of winning through losing. Portia and ...
... Lancelot is, in language adapted from the liturgy, “your boy that was, your son that is, your child that shall be.” In the episode of the rings, we encounter a final playful variation on the paradox of winning through losing. Portia and ...
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... Lancelot Gobbo (Andrew French) and then to her Christian wooer, Lorenzo (Jack James). The Christian friends preparing to assist with Jessica's elopement first amuse themselves at a nightclub burlesque show with prancing floozies and a ...
... Lancelot Gobbo (Andrew French) and then to her Christian wooer, Lorenzo (Jack James). The Christian friends preparing to assist with Jessica's elopement first amuse themselves at a nightclub burlesque show with prancing floozies and a ...
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... 0F MOROCCO, suitor to Portia THE PRINCE 0F ARAGON, suitor to Portia A MESSENGER to Portia SHYLOCK, a rich Jew JESSICA, his daughter TUBAL, a Jew, Shylock's friend LANCELOT GOBBO, a clown, servant to Shylock and then to.
... 0F MOROCCO, suitor to Portia THE PRINCE 0F ARAGON, suitor to Portia A MESSENGER to Portia SHYLOCK, a rich Jew JESSICA, his daughter TUBAL, a Jew, Shylock's friend LANCELOT GOBBO, a clown, servant to Shylock and then to.
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Four Comedies: The Taming of the Shrew/a Midsummer Night's Dream/the ... William Shakespeare Náhled není k dispozici. - 1988 |
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actors Antonio Athens audience BAPTISTA Bassanio Bianca BIONDELLO BOTTOM Christian comedy daughter Demetrius director doctor of laws doth Duke Egeus Enter Exeunt Exit eyes FABIAN fair fairies father FESTE film fool friends gentleman give GOBBO GRATIANO GREMIO hast hath hear heart Helena Hermia Hippolyta HORTENSIO husband Jessica Julina Kate KATHARINA lady Lancelot lion look lord LORENZO lovers Lucentio Lysander madam MALVOLIO MARIA marriage marry master Merchant of Venice Midsummer Night’s Dream mistress moon Nerissa never o’er Oberon OLIVIA ORSINO PETRUCHIO play’s PORTIA pray production Puck Pyramus and Thisbe Queen QUINCE SALERIO Sebastian servant Shakespeare Shakespeare’s play Shrew Shylock Signor Ansaldo Signor Giannetto Silla Silvio SIR ANDREW SIR TOBY sleep SOLANIO speak stage swear sweet Taming tell theater thee There’s THESEUS thou art Thou shalt Titania TRANIO Twelfth Night unto Vincentio VIOLA What’s wife young апс1