Four Comedies: The Taming of the Shrew, A Midsummer Night's Dream, The Merchant of Venice, Twel fth NightRandom House Publishing Group, 26. 8. 2009 - Počet stran: 736 The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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... order to gain the hand of the fair lady; Illyria in Twelfth Night is (as its name suggests) a place of illusion and delirium, where Viola disguises herself as a young man and is mistaken The Playhouse THE TAMING OF THE SHREW.
... order to gain the hand of the fair lady; Illyria in Twelfth Night is (as its name suggests) a place of illusion and delirium, where Viola disguises herself as a young man and is mistaken The Playhouse THE TAMING OF THE SHREW.
Strana
... Viola disguises herself as a young man and is mistaken for her supposedly dead brother. Shakespearean comedy achieves a festive and celebratory mood that is all the more theatrically effective because “festive” comedy emphasizes this ...
... Viola disguises herself as a young man and is mistaken for her supposedly dead brother. Shakespearean comedy achieves a festive and celebratory mood that is all the more theatrically effective because “festive” comedy emphasizes this ...
Strana dxxiii
... At least three Italian comedies called Gl'Inganni (“The Frauds”) employ the motif of mistaken identity, and one of them, by Curzio Gonzaga (1592), supplies Viola's assumed name of “Cesare,” 0r Cesario. Another play with the.
... At least three Italian comedies called Gl'Inganni (“The Frauds”) employ the motif of mistaken identity, and one of them, by Curzio Gonzaga (1592), supplies Viola's assumed name of “Cesare,” 0r Cesario. Another play with the.
Strana dxxv
... Viola, though she, too, has seemingly lost a brother, is an important foil in this regard, for she continues to hope for her brother's safety, trusts his soul is in heaven if he is dead, and refuses to give up her commitment to life in ...
... Viola, though she, too, has seemingly lost a brother, is an important foil in this regard, for she continues to hope for her brother's safety, trusts his soul is in heaven if he is dead, and refuses to give up her commitment to life in ...
Strana dxxvi
... Viola, although not dressed in motley, aligns herself with Feste's rejection of self-denial. Refreshingly, even comically, she challenges the staid artifice of Orsino's and Olivia's lives. She is an ocean traveler, like many of ...
... Viola, although not dressed in motley, aligns herself with Feste's rejection of self-denial. Refreshingly, even comically, she challenges the staid artifice of Orsino's and Olivia's lives. She is an ocean traveler, like many of ...
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Four Comedies: The Taming of the Shrew/a Midsummer Night's Dream/the ... William Shakespeare Náhled není k dispozici. - 1988 |
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actors Antonio Athens audience BAPTISTA Bassanio Bianca BIONDELLO BOTTOM Christian comedy daughter Demetrius director doctor of laws doth Duke Egeus Enter Exeunt Exit eyes FABIAN fair fairies father FESTE film fool friends gentleman give GOBBO GRATIANO GREMIO hast hath hear heart Helena Hermia Hippolyta HORTENSIO husband Jessica Julina Kate KATHARINA lady Lancelot lion look lord LORENZO lovers Lucentio Lysander madam MALVOLIO MARIA marriage marry master Merchant of Venice Midsummer Night’s Dream mistress moon Nerissa never o’er Oberon OLIVIA ORSINO PETRUCHIO play’s PORTIA pray production Puck Pyramus and Thisbe Queen QUINCE SALERIO Sebastian servant Shakespeare Shakespeare’s play Shrew Shylock Signor Ansaldo Signor Giannetto Silla Silvio SIR ANDREW SIR TOBY sleep SOLANIO speak stage swear sweet Taming tell theater thee There’s THESEUS thou art Thou shalt Titania TRANIO Twelfth Night unto Vincentio VIOLA What’s wife young апс1