Four Comedies: The Taming of the Shrew, A Midsummer Night's Dream, The Merchant of Venice, Twel fth NightRandom House Publishing Group, 26. 8. 2009 - Počet stran: 736 The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Strana
... Landry, printed 1484). In the raw spirit of this sexist tradition, so unlike the refined Italianate sentiment of his other plot, Shakespeare introduces Petruchio as a man of reckless bravado who is ready to marry the ugliest.
... Landry, printed 1484). In the raw spirit of this sexist tradition, so unlike the refined Italianate sentiment of his other plot, Shakespeare introduces Petruchio as a man of reckless bravado who is ready to marry the ugliest.
Strana
... marry the ugliest or sharpest-tongued woman alive so long as she is rich. However much he may be later attracted by Kate's fiery spirit, his first interest in her is crassly financial. Kate is, moreover, a troublesomely defiant young ...
... marry the ugliest or sharpest-tongued woman alive so long as she is rich. However much he may be later attracted by Kate's fiery spirit, his first interest in her is crassly financial. Kate is, moreover, a troublesomely defiant young ...
Strana
... marry or be disowned. It may have been Garrick who first gave Petruchio a whip; in any event, for decades afterward it was an obligatory prop. Yet Kate's speech after her wooing, in Act 1, includes a promise (or threat) of independence ...
... marry or be disowned. It may have been Garrick who first gave Petruchio a whip; in any event, for decades afterward it was an obligatory prop. Yet Kate's speech after her wooing, in Act 1, includes a promise (or threat) of independence ...
Strana
... Marry, I fare we1199, For here is cheer enough. Where is my wife? PAGE Here, noble lord. What is thy will with her? SLY Are you my wife, and will not call me husband? My men should call me “lord”, I am your goodman103. PAGE My husband ...
... Marry, I fare we1199, For here is cheer enough. Where is my wife? PAGE Here, noble lord. What is thy will with her? SLY Are you my wife, and will not call me husband? My men should call me “lord”, I am your goodman103. PAGE My husband ...
Strana
... Marry, I will let them play it. Is not a cornonty]33 a Christmas gambold134 or a tumbling-trick? PAGE No, my good lord, it is more pleasing stuff. SLY What, household stuff136? PAGE It is a kind of history137. SLY Well, we'll see 't ...
... Marry, I will let them play it. Is not a cornonty]33 a Christmas gambold134 or a tumbling-trick? PAGE No, my good lord, it is more pleasing stuff. SLY What, household stuff136? PAGE It is a kind of history137. SLY Well, we'll see 't ...
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Four Comedies: The Taming of the Shrew/a Midsummer Night's Dream/the ... William Shakespeare Náhled není k dispozici. - 1988 |
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actors Antonio Athens audience BAPTISTA Bassanio Bianca BIONDELLO BOTTOM Christian comedy daughter Demetrius director doctor of laws doth Duke Egeus Enter Exeunt Exit eyes FABIAN fair fairies father FESTE film fool friends gentleman give GOBBO GRATIANO GREMIO hast hath hear heart Helena Hermia Hippolyta HORTENSIO husband Jessica Julina Kate KATHARINA lady Lancelot lion look lord LORENZO lovers Lucentio Lysander madam MALVOLIO MARIA marriage marry master Merchant of Venice Midsummer Night’s Dream mistress moon Nerissa never o’er Oberon OLIVIA ORSINO PETRUCHIO play’s PORTIA pray production Puck Pyramus and Thisbe Queen QUINCE SALERIO Sebastian servant Shakespeare Shakespeare’s play Shrew Shylock Signor Ansaldo Signor Giannetto Silla Silvio SIR ANDREW SIR TOBY sleep SOLANIO speak stage swear sweet Taming tell theater thee There’s THESEUS thou art Thou shalt Titania TRANIO Twelfth Night unto Vincentio VIOLA What’s wife young апс1