Shakespeare's Rhetoric of Comic CharacterRoutledge, 11. 10. 2013 - Počet stran: 168 First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance. |
Obsah
Introduction | 1 |
Measure for Measure II ii 16287 | 7 |
2 Comic plot conventions in Measure for Measure | 20 |
3 Menander and New Comedy | 30 |
4 Plautus and Terence | 42 |
5 The enchantments of Circe | 57 |
Shakespeares early comedies | 77 |
As You Like It and Twelfth Night | 94 |
8 Mistaking in Much Ado | 109 |
9 Shakespeares rhetoric of consciousness | 121 |
Notes | 129 |
| 149 | |
| 151 | |
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Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical ... Karen Newman Zobrazení fragmentů - 1985 |
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