HamletPenguin UK, 7. 4. 2005 - Počet stran: 400 'The Mona Lisa of literature' T. S. Eliot |
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... King James I succeeded Queen Elizabeth I in 1603 they were renamed as the King's Men. All the women's parts were played by boys; there is no evidence that any female role was ever played by a male actor over the age of about eighteen ...
... King James I succeeded Queen Elizabeth I in 1603 they were renamed as the King's Men. All the women's parts were played by boys; there is no evidence that any female role was ever played by a male actor over the age of about eighteen ...
Strana
... King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 the company also acquired the use of the Blackfriars, a smaller, indoor theatre to which admission was more expensive, and which ...
... King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 the company also acquired the use of the Blackfriars, a smaller, indoor theatre to which admission was more expensive, and which ...
Strana
... King Hamlet, while everyone else is celebrating the marriage of his mother, Gertrude, to the new king, his uncle, Claudius. They try to discover what's bothering him. 'How is it that the clouds still hang on you?' Claudius asks (I.2.66) ...
... King Hamlet, while everyone else is celebrating the marriage of his mother, Gertrude, to the new king, his uncle, Claudius. They try to discover what's bothering him. 'How is it that the clouds still hang on you?' Claudius asks (I.2.66) ...
Strana
... King Hamlet, in a particularly gruesome way. The command is: 'Revenge his foul and most unnatural murder' (I.5.25). King Claudius is right to fear Prince Hamlet. For many commentators the key question is why Hamlet 'delays' his revenge ...
... King Hamlet, in a particularly gruesome way. The command is: 'Revenge his foul and most unnatural murder' (I.5.25). King Claudius is right to fear Prince Hamlet. For many commentators the key question is why Hamlet 'delays' his revenge ...
Strana
... King of Norway, whom he slew. Among the upper classes in Shakespeare's time it was still often supposed that one was honour-bound to avenge an affront. Hamlet believes 'honour's at the stake' (IV.4.56); so does Laertes (V.2.240–44) ...
... King of Norway, whom he slew. Among the upper classes in Shakespeare's time it was still often supposed that one was honour-bound to avenge an affront. Hamlet believes 'honour's at the stake' (IV.4.56); so does Laertes (V.2.240–44) ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word