HamletPenguin UK, 7. 4. 2005 - Počet stran: 400 'The Mona Lisa of literature' T. S. Eliot |
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... reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god: the beauty of the world, the paragon of animals! And yet to me what is this quintessence of ...
... reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god: the beauty of the world, the paragon of animals! And yet to me what is this quintessence of ...
Strana
... reason for Hamlet's hostility towards her. Bradley concludes that 'Hamlet's love, though never lost, was, after Ophelia's apparent rejection of him, mingled with suspicion and resentment, and that his treatment of her was due in part to ...
... reason for Hamlet's hostility towards her. Bradley concludes that 'Hamlet's love, though never lost, was, after Ophelia's apparent rejection of him, mingled with suspicion and resentment, and that his treatment of her was due in part to ...
Strana
... reason, I will argue shortly, is that Shakespeare's interests are engaged with other matters. We should note first another kind of attempt to deal with the failure of Shakespearian characters to add up: the appeal to Freudian depth ...
... reason, I will argue shortly, is that Shakespeare's interests are engaged with other matters. We should note first another kind of attempt to deal with the failure of Shakespearian characters to add up: the appeal to Freudian depth ...
Strana
... reason to rescind the civil rights that are proclaimed as inscribing the justness of the system. Polonius knows that it is a sensitive moment when he proposes eavesdropping on the Queen and Prince to the King: And, as you said, and ...
... reason to rescind the civil rights that are proclaimed as inscribing the justness of the system. Polonius knows that it is a sensitive moment when he proposes eavesdropping on the Queen and Prince to the King: And, as you said, and ...
Strana
... reason to believe that the practice of cutting and reworking began with the playwright's approval, the Folio text being a revised and slightly abbreviated version of the earlier Q2. Throughout stage history certain passages have been ...
... reason to believe that the practice of cutting and reworking began with the playwright's approval, the Folio text being a revised and slightly abbreviated version of the earlier Q2. Throughout stage history certain passages have been ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word