Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Svazek 25Gale Research Company, 1984 |
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Strana 30
... final victim of the cruelty of typology . Even though Portia's portion survives the trial untouched , Bassanio continues to attempt to give it away . With the freed Antonio beside him , he says to the disguised Portia , BASSANIO : Most ...
... final victim of the cruelty of typology . Even though Portia's portion survives the trial untouched , Bassanio continues to attempt to give it away . With the freed Antonio beside him , he says to the disguised Portia , BASSANIO : Most ...
Strana 69
... final scene , it is as if " hap " has be- come the principle by which characters are ( re ) created , not destroyed . 99 My point here is not that the play adopts a kind of social egalitarianism in its final lines . After all ...
... final scene , it is as if " hap " has be- come the principle by which characters are ( re ) created , not destroyed . 99 My point here is not that the play adopts a kind of social egalitarianism in its final lines . After all ...
Strana 138
... final tone , eternally happy.30 Non- death of Henry is certainly what the spectators - whatever sector of the playhouse they are occupying - expect from the glorification of a national hero . They would be disap- pointed otherwise ...
... final tone , eternally happy.30 Non- death of Henry is certainly what the spectators - whatever sector of the playhouse they are occupying - expect from the glorification of a national hero . They would be disap- pointed otherwise ...
Obsah
Loves Labours Lost and | 1 |
Measuring Female Sexuality in Measure | 12 |
Lars Engle Money and Moral Luck in The Merchant of Venice | 35 |
Autorská práva | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Svazek 28 Zobrazení fragmentů - 1984 |
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