Econ Art: Divorcing Art from Science in Modern EconomicsPluto Press, 15. 2. 1999 - Počet stran: 240 Historians of economic thought have long recognized the possibility that the "science" of economics owes more to cultural influences than we are usually prepare to admit. Econ Art offers the first detailed study of this contradiction, highlighting the cultural and aesthetic influences of surrealism, cubism and abstract art on both economic theory and method in the twentieth century.Arguing that economics has developed more as an art form than as a science, the author looks not only at what economists have produced but how they have produced it, uncovering the cultural preconceptions which have shaped economic theory and method in the last one hundred years. At a time of increasing dissatisfaction with the discipline and the practice of economics, Szostak argues that the time is now ripe —- and right —- to embarrass the profession into a whole-sale reconsideration of what economics is for, how it should be done and what might make it better and more useful to the academy and to the world at large. |
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... aesthetic sensibil- ities which their craft serves . Likewise , the modern draftsperson would spurn the artist title , but Klingender has argued that tech- nical drawings went through the same sequence of styles in the fifteenth through ...
... aesthetic sensibil- ities which their craft serves . Likewise , the modern draftsperson would spurn the artist title , but Klingender has argued that tech- nical drawings went through the same sequence of styles in the fifteenth through ...
Strana 5
... aesthetic impulses , ' impulses that exist at the deepest levels of personality ' ; our modern world gives most people insufficient opportunity to exercise their aesthetic capabilities to the fullest ( Feldman 1992 ) . Economists are ...
... aesthetic impulses , ' impulses that exist at the deepest levels of personality ' ; our modern world gives most people insufficient opportunity to exercise their aesthetic capabilities to the fullest ( Feldman 1992 ) . Economists are ...
Strana 15
... aesthetic and the technical . For the artist , though , ' the aesthetic is itself the goal of the work . ' While the scientist ' like the artist , is guided by aesthetic considerations and governed by established modes of perception the ...
... aesthetic and the technical . For the artist , though , ' the aesthetic is itself the goal of the work . ' While the scientist ' like the artist , is guided by aesthetic considerations and governed by established modes of perception the ...
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Econ-art: Divorcing Art from Science in Modern Economics Rick Szostak Náhled není k dispozici. - 1999 |
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Odkazy na tuto knihu
Classifying Science: Phenomena, Data, Theory, Method, Practice Rick Szostak Náhled není k dispozici. - 2004 |
Imagining Economics Otherwise: Encounters with Identity/difference Nitasha Kaul Náhled není k dispozici. - 2008 |