Econ Art: Divorcing Art from Science in Modern EconomicsHistorians of economic thought have long recognized the possibility that the "science" of economics owes more to cultural influences than we are usually prepare to admit. Econ Art offers the first detailed study of this contradiction, highlighting the cultural and aesthetic influences of surrealism, cubism and abstract art on both economic theory and method in the twentieth century.Arguing that economics has developed more as an art form than as a science, the author looks not only at what economists have produced but how they have produced it, uncovering the cultural preconceptions which have shaped economic theory and method in the last one hundred years. At a time of increasing dissatisfaction with the discipline and the practice of economics, Szostak argues that the time is now ripe —- and right —- to embarrass the profession into a whole-sale reconsideration of what economics is for, how it should be done and what might make it better and more useful to the academy and to the world at large. |
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Strana xiii
Even those who dislike the depiction of economics as art should see the value in
tracing the cultural influences on art (as seen by art historians) over this century
and seeing if those influences appear to have affected economic theory as well.
Even those who dislike the depiction of economics as art should see the value in
tracing the cultural influences on art (as seen by art historians) over this century
and seeing if those influences appear to have affected economic theory as well.
Strana 109
Literary theorists often expose the socio-cultural biases of authors as these
appear in their words. While some would argue that no one interpretation of a text
can be superior to another, others aspire to expose the ideological biases of
authors.
Literary theorists often expose the socio-cultural biases of authors as these
appear in their words. While some would argue that no one interpretation of a text
can be superior to another, others aspire to expose the ideological biases of
authors.
Strana 226
To be sure, some works which appear unimportant now may prove key building-
blocks in the theory of the future. We can't rule that out. The point is that we are
clearly not focusing our attention on the most important questions. As Mayer has
...
To be sure, some works which appear unimportant now may prove key building-
blocks in the theory of the future. We can't rule that out. The point is that we are
clearly not focusing our attention on the most important questions. As Mayer has
...
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Obsah
Chapter Two Surrealism | 24 |
Chapter Three Cubism and More | 51 |
Chapter Four Mathematics as Art | 71 |
Autorská práva | |
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Econ-art: Divorcing Art from Science in Modern Economics Rick Szostak Náhled není k dispozici. - 1999 |
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Odkazy na tuto knihu
Classifying Science: Phenomena, Data, Theory, Method, Practice Rick Szostak Náhled není k dispozici. - 2004 |
Imagining Economics Otherwise: Encounters with Identity/difference Nitasha Kaul Náhled není k dispozici. - 2008 |