Econ Art: Divorcing Art from Science in Modern EconomicsPluto Press, 15. 2. 1999 - Počet stran: 240 Historians of economic thought have long recognized the possibility that the "science" of economics owes more to cultural influences than we are usually prepare to admit. Econ Art offers the first detailed study of this contradiction, highlighting the cultural and aesthetic influences of surrealism, cubism and abstract art on both economic theory and method in the twentieth century.Arguing that economics has developed more as an art form than as a science, the author looks not only at what economists have produced but how they have produced it, uncovering the cultural preconceptions which have shaped economic theory and method in the last one hundred years. At a time of increasing dissatisfaction with the discipline and the practice of economics, Szostak argues that the time is now ripe —- and right —- to embarrass the profession into a whole-sale reconsideration of what economics is for, how it should be done and what might make it better and more useful to the academy and to the world at large. |
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Strana xiii
... century and seeing if those influences appear to have affected economic theory as well . As in art history , our analysis of economics will focus on the works of economists , but also to a lesser extent on their views as to why they ...
... century and seeing if those influences appear to have affected economic theory as well . As in art history , our analysis of economics will focus on the works of economists , but also to a lesser extent on their views as to why they ...
Strana 23
... century has been characterized by a number of movements . Rather than attempting to elucidate the cultural ... century art . Both emerged early in this century - Cubism in the first decade of the century , Surrealism shortly after the ...
... century has been characterized by a number of movements . Rather than attempting to elucidate the cultural ... century art . Both emerged early in this century - Cubism in the first decade of the century , Surrealism shortly after the ...
Strana 51
... century art . Arnason ( 1986 ) feels that Cubism was the most revolutionary change since the Renaissance , and it became the ' lingua franca ' of modern art for half a century . Golding ( 1988 ) concurs in this revolutionary judgement ...
... century art . Arnason ( 1986 ) feels that Cubism was the most revolutionary change since the Renaissance , and it became the ' lingua franca ' of modern art for half a century . Golding ( 1988 ) concurs in this revolutionary judgement ...
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Econ-art: Divorcing Art from Science in Modern Economics Rick Szostak Náhled není k dispozici. - 1999 |
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Odkazy na tuto knihu
Classifying Science: Phenomena, Data, Theory, Method, Practice Rick Szostak Náhled není k dispozici. - 2004 |
Imagining Economics Otherwise: Encounters with Identity/difference Nitasha Kaul Náhled není k dispozici. - 2008 |