The terrible state in which Lombardy had been left by war rendered this institution highly valuable. Of a similar type was the order of the Barnabites, who were first incorporated at Milan, charged with the performance of acts of mercy, education, preaching, and other forms of Christian ministration. It may be finally added that the Camaldolese and Franciscan orders had been in part reformed by a spontaneous movement within their bodies.

If we compare the spirit indicated by these efforts in the first half of the sixteenth century with that of the earlier Renaissance, it will be evident that the Italians were ready for religious change. They sink, however, into insignificance beside two Spanish institutions which about the same period added their weight and influence to the Catholic revival. I mean, of course, the Inquisition and the Jesuit order. Paul III. empowered Caraffa in 154? to re-establish the Inquisition in Rome upon a new basis resembling that of the Spanish Holy Office. The same Pope sanctioned and confirmed the Company of Jesus between the years 1540 and 1543. The establishment of the Inquisition gave vast disciplinary powers to the Church at the moment when the Council of Trent fixed her dogmas and proclaimed the absolute authority of the Popes. At the same time the Jesuits, devoted by their founder in blind obedience-perinde ac cadaver-to the service of the Papacy, penetrated Italy, Spain, France, Germany, and the transatlantic colonies.

ALESSANDRO FARNESE.

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The Pope who succeeded Clement VII. in 1534 was in all ways fitted to represent the transition which I have indicated. Alessandro Farnese sprang from an ancient but decayed family in the neighborhood of Bolsena, several of whose members had played a foremost part in the mediaval revolutions of Orvieto. While still a young man of twenty-five, he was raised to the Cardinalate by Alexander VI. This advancement he owed to the influence of his sister Giulia, surnamed La Bella, who was then the Borgia's mistress. It is characteristic of an epoch during which the bold traditions of the fifteenth century still lingered, that the undraped statue of this Giulia (representing Vanity) was carved for the basement of Paul III.'s monument in the choir of S. Peter's. The old stock of the Farnesi, once planted in the soil of Papal corruption at its most licentious period, struck firm roots and flourished. Alessandro was born in 1468, and received a humanistic education according to the methods of the earlier Renaissance. He studied literature with Pomponius Laetus in the Roman Academy, and frequented the gardens of Lorenzo de' Medici at Florence. His character and intellect were thus formed under the influences of the classical revival and of the Pontifical Curia, at a time when pagan morality and secular policy had obliterated the ideal of Catholic Christianity. His sister was the Du Barry of the Borgian Court. He was himself the father of several illegitimate children, whom he

acknowledged, and on whose advancement by the old system of Papal nepotism he spent the best years of his reign. Both as a patron of the arts and as an elegant scholar in the Latin and Italian languages, Alessandro showed throughout his life the effects of this early training. He piqued himself on choice expression, whenever he was called upon to use the pen in studied documents, or to answer ambassadors in public audiences. To his taste and love of splendor Rome owes the Farnese palace. He employed Cellini, and forced Michelangelo to paint the Last Judgment. On ascending the Papal throne he complained that this mighty genius had been too long occupied for Della Roveres and Medici. When the fresco was finished, he set the old artist upon his last great task of completing S. Peter's.

So far there was nothing to distinguish Alessandro Farnese from other ecclesiastics of the Renaissance. As Cardinal he seemed destined, should he ever attain the Papal dignity, to combine the qualities of the Borgian and Medicean Pontiffs. But before his elevation to that supreme height, he lived through the reigns of Julius II., Leo X., Adrian VI., and Clement VII. Herein lies the peculiarity of his position as Paul III. The pupil of Pomponius Laetus, the creature of Roderigo Borgia, the representative of Italian manners and culture before the age of foreign invasion had changed the face of Italy, Paul III. was called at the

age of sixty-six to steer the ship of the Church through troubled waters and in very altered circumstances. He had witnessed the rise and progress of Protestant revolt in Germany. He had observed the stirrings of a new and sincere spirit of religious gravity, an earnest desire for ecclesiastical reform in his own country. He had watched the duel between France and Spain, during the course of which his predecessors Alexander V. and Julius II. restored the secular authority of Rome. He had seen that authority humbled to the dust in 1527, and miraculously rehabilitated at Bologna in 1530. He had learned by the example of the Borgias how difficult it was for any Papal family to found a substantial principality; and the vicissitudes of Florence and Urbino had confirmed this lesson. Finally, he had assisted at the coronation of Charles V.; and when he took the reins of power into his hands, he was well aware with what a formidable force he had to cope in the great Emperor.

Paul III. knew that the old Papal game of pitting France against Spain in the peninsula could not be played on the same grand scale as formerly. This policy had been pursued with results ruinous to Italy but favorable to the Church, by Julius. It had enabled Leo and Clement to advance their families at the hazard of more important interests. But in the reign of the latter Pope it had all but involved the Papacy itself in the general confusion and desolation of the country. Moreover, France

was no longer an effective match for Spain; and though their struggle was renewed, the issue was hardly doubtful. Spain had got too firm a grip upon the land to be cast off.

Yet Paul was a man of the elder generation. It could not be expected that a Pope of the Renaissance should suddenly abandon the medieval policy of Papal hostility to the Empire, especially when the Empire was in the hands of so omnipotent a master as Charles. It could not be expected that he should recognize the wisdom of confining Papal ambition to ecclesiastical interests, and of forming a defensive and offensive alliance with Catholic sovereigns for the maintenance of absolutism. It could not be expected that he should forego the pleasures and apparent profits of creating duchies for his bastards, whereby to dignify his family and strengthen his personal authority as a temporal sovereign. It is true that the experience of the last half century had pointed in the direction of all these changes; and it is certain that the series of events connected with the Council of Trent, which began in Paul III.'s reign, rendered them both natural and necessary. Yet Paul, as a man of the elder generation filling the Papal throne for fifteen years during a period of transition, adhered in the main to the policy of his predecessors. It was fortunate for him and for the Holy See that the basis of his character was caution combined with tough tenacity of purpose, capacity for dilatory action, diplomatic shiftiness and a poli.