Speech and Performance in Shakespeare's Sonnets and PlaysCambridge University Press, 17. 10. 2002 - Počet stran: 262 David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the la nguage of the sonnets is primarily performative rather than descriptive. In a wide-ranging analysis of both the 1609 quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. |
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... Schalkwyk e - charg d wich let my books books be then omb prefagers Tho pleade for tonge that n ore then t Olearne to read To bear CAMBRIDGE David Schalkwyk offers a sustained reading of Shakespeare's sonnets in. Who feare i Front Cover.
... Schalkwyk e - charg d wich let my books books be then omb prefagers Tho pleade for tonge that n ore then t Olearne to read To bear CAMBRIDGE David Schalkwyk offers a sustained reading of Shakespeare's sonnets in. Who feare i Front Cover.
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Obsah
Acknowledgements page viii | 1 |
the sonnets Antony and Cleopatra | 29 |
the sonnets Loves Labours Lost Romeo | 59 |
Juliet and Twelfth Night 5999 | 102 |
the sonnets Romeo and Juliet Troilus | 150 |
the sonnets and Alls Well that Ends Well | 198 |
Conclusion | 238 |
253 | |
Další vydání - Zobrazit všechny
Speech and Performance in Shakespeare's Sonnets and Plays David Schalkwyk Náhled není k dispozici. - 2002 |
Speech and Performance in Shakespeare's Sonnets and Plays David Schalkwyk Náhled není k dispozici. - 2007 |
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