The Designs of Carolean ComedySouthern Illinois University Press, 1988 - Počet stran: 295 The Tempest, Marriage A-la-Mode, The Spanish Fryar, and other plays are examined as consumer products offering a variety of potentially satisfying images of the world at a time when social and personal values were confused, precarious, and heterogeneous. Many of the comedies permit the viewer to enjoy forbidden, glamorous behavior without feeling guilty. |
Obsah
Introduction | 1 |
165968 | 68 |
The Tempest or The Enchanted Island | 85 |
Autorská práva | |
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action Adventures of Five Amorous Widow analogies audience audience's authority ballads behavior Behn Betterton Carolean comedy characters Cockwood comic plot Company compromise formation Courtall courtship Cuckolds Davenant's desire disguise Doralice Dorimant dramatic Dryden and Davenant Duke's Durfey earlier Enchanted Island Etherege Exclusion Crisis farce father Fidelia Fletcher fletcherian comedy fools freedom Freeman heroes heroic Hippolito Humorous Lieutenant humours husband idiom Jonson King's King's Company L'Étourdi Leonidas libertine Limberham Longvil love plot Loveless lovers male Manly Marriage A-la-Mode marry Molière Molière's moral motives nature Otway Palamede passion pattern peripeteias Plain-Dealer play play's playwrights political Polydamas popular Prospero protagonists rake rakish reason repertory Restoration Restoration comedy reversal Rhodophil role Rover satire scene Scornful Lady Secret Love serious plot sexual Shadwell Shadwell's Shakespeare's Sir Martin Mar-all Sir Salomon social Spanish Fryar stage Tempest theatre Torrismond tragicomedy values Virtuoso whore wife Willmore witty woman women Wycherley young