The Past that Poets MakeHarvard University Press, 1981 - Počet stran: 256 This is an analysis of the literary art of recapturing the past as the artist perceives it. By clearly distinguishing different ways of creating a past--in fiction, history, and other arts--Toliver enriches our understanding of literary strategies. The Past that Poets Make examines such questions as how a fictional narrative differs from other ways of seeing a past time; to what extent literature is nontemporal, transcending its time, and to what extent it is tied to the institutions and traditions of its era; how given works conjure up a sense of time; and how fictional narratives function as transmitters of ideas to societies prepared to absorb them. |
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Strana 168
... Stevens ' stem from that central assumption about the need constantly to recompose a world . When Stevens remarks in Adagia that poetry replaces God as the projection of order , he apparently means that within the duration of a given ...
... Stevens ' stem from that central assumption about the need constantly to recompose a world . When Stevens remarks in Adagia that poetry replaces God as the projection of order , he apparently means that within the duration of a given ...
Strana 172
... Stevens not a simple contrast between tra- ditionalist and modernist tendencies but several complexes that include recurrence and cyclical renewal . On the one hand , the modernist is likely to agree with Williams ' remark that " to ...
... Stevens not a simple contrast between tra- ditionalist and modernist tendencies but several complexes that include recurrence and cyclical renewal . On the one hand , the modernist is likely to agree with Williams ' remark that " to ...
Strana 174
... Stevens is that only when a poet has severed connections with the common heritage can he concentrate on the world of free objects before him . In poems such as " The Planet on the Table " and " The Poem that Took the Place of a Mountain ...
... Stevens is that only when a poet has severed connections with the common heritage can he concentrate on the world of free objects before him . In poems such as " The Planet on the Table " and " The Poem that Took the Place of a Mountain ...
Obsah
Introduction | 1 |
Recurrence Institution and Literary Kind | 31 |
Poetic Recollection and the Phantomized Past | 61 |
Autorská práva | |
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Adam Arthur Arthurian become chronicle classics course critics cultural cycle digressive distance Donne dream echoes Eliot epic eternity Faerie Queene Fall fictions fictive finds forms genres Geoffrey Hartman grail Harry Berger heaven human Hyperion poems ideal ideas imagination instance institutions Keats Keats's kind landscape language less linguistic Literary History literature London Lycidas lyric Malory memory ment merely Milton mind modern moments myth mythic mythos nature nature's Northrop Frye objects Paradise Lost Paradise Regained past pastoral perception phantoms poem poet poet's poetic poetry predecessors present Princeton reader reality realm recollection recurrence Renaissance retrieval Richard Wilbur romantic sense social sort soul specific Spenser spirit Stevens structures suggests symbols T. S. Eliot temporal theory things tion tradition trans turn University Press vision W. B. Yeats Wallace Stevens Wilbur William Carlos Williams Williams words Wordsworth writing Yeats York
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