The Past that Poets MakeHarvard University Press, 1981 - Počet stran: 256 This is an analysis of the literary art of recapturing the past as the artist perceives it. By clearly distinguishing different ways of creating a past--in fiction, history, and other arts--Toliver enriches our understanding of literary strategies. The Past that Poets Make examines such questions as how a fictional narrative differs from other ways of seeing a past time; to what extent literature is nontemporal, transcending its time, and to what extent it is tied to the institutions and traditions of its era; how given works conjure up a sense of time; and how fictional narratives function as transmitters of ideas to societies prepared to absorb them. |
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Strana 46
... epic ( although epic , too , may welcome lyric moments , as in Milton's invocations ) . Literary kinds ally themselves not merely with preexisting institu- tions but with other intermediary forms . Most of the materials of en- cyclopedic ...
... epic ( although epic , too , may welcome lyric moments , as in Milton's invocations ) . Literary kinds ally themselves not merely with preexisting institu- tions but with other intermediary forms . Most of the materials of en- cyclopedic ...
Strana 108
... epic but in the prophecy of the Fourth Eclogue and in glances at epic again in the Sixth Eclogue . These dawn- ing times do not require a withdrawal from the active life , as pastoral often does ; instead , idyllic yearning gives way to ...
... epic but in the prophecy of the Fourth Eclogue and in glances at epic again in the Sixth Eclogue . These dawn- ing times do not require a withdrawal from the active life , as pastoral often does ; instead , idyllic yearning gives way to ...
Strana 110
... epic , romance , or pastoral ( although any of these may be tragic or elegiac ) , and the restoration is less fully worked out . Ordinar- ily , tragedy depends less for consolation on an actual upward turn than either epic or pastoral ...
... epic , romance , or pastoral ( although any of these may be tragic or elegiac ) , and the restoration is less fully worked out . Ordinar- ily , tragedy depends less for consolation on an actual upward turn than either epic or pastoral ...
Obsah
Introduction | 1 |
Recurrence Institution and Literary Kind | 31 |
Poetic Recollection and the Phantomized Past | 61 |
Autorská práva | |
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Adam Arthur Arthurian become chronicle classics course critics cultural cycle digressive distance Donne dream echoes Eliot epic eternity Faerie Queene Fall fictions fictive finds forms genres Geoffrey Hartman grail Harry Berger heaven human Hyperion poems ideal ideas imagination instance institutions Keats Keats's kind landscape language less linguistic Literary History literature London Lycidas lyric Malory memory ment merely Milton mind modern moments myth mythic mythos nature nature's Northrop Frye objects Paradise Lost Paradise Regained past pastoral perception phantoms poem poet poet's poetic poetry predecessors present Princeton reader reality realm recollection recurrence Renaissance retrieval Richard Wilbur romantic sense social sort soul specific Spenser spirit Stevens structures suggests symbols T. S. Eliot temporal theory things tion tradition trans turn University Press vision W. B. Yeats Wallace Stevens Wilbur William Carlos Williams Williams words Wordsworth writing Yeats York
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In the Shadows of Divine Perfection: Derek Walcott's Omeros Lance Callahan Náhled není k dispozici. - 2003 |