Caressing the Detail: An Actor's Translations of Power and Powerlessness in Performing the Roles of "Yank" in Eugene O'Neill's The Hairy Ape, and "Claire" in Jean Genet's The MaidsUniversity of Wisconsin--Madison, 1989 - Počet stran: 406 |
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Strana 30
... perhaps violently ejected from IWW headquarters . 1151 The the most expressionistic of the lot when Yank , in an agonizing soliloquy examining his fall from a sense of himself and his place in the world , frees a gorilla from the zoo in ...
... perhaps violently ejected from IWW headquarters . 1151 The the most expressionistic of the lot when Yank , in an agonizing soliloquy examining his fall from a sense of himself and his place in the world , frees a gorilla from the zoo in ...
Strana 82
... perhaps too capable for his own good , or he wouldn't be so deeply pained by Mildred's reaction . However , I was having trouble finding something in his tortuous self - examination and furious posturing which would make Yank ...
... perhaps too capable for his own good , or he wouldn't be so deeply pained by Mildred's reaction . However , I was having trouble finding something in his tortuous self - examination and furious posturing which would make Yank ...
Strana 132
... Perhaps the road to the heights and the road to the depths are one and the same . Perhaps they meet somewhere outside the world . Surely misfortune is a cipher , surely it indicates something . But it is not a matter of understanding ...
... Perhaps the road to the heights and the road to the depths are one and the same . Perhaps they meet somewhere outside the world . Surely misfortune is a cipher , surely it indicates something . But it is not a matter of understanding ...
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aboard actor artistic asked audience Baroque Baroque stage becomes black gang Bunraku cage cast character Charles Racine Chekhov Chief Andersen circus Claire and Solange Claire's Clayton costumes Daily Cardinal dance dialogue dramatic dress Driscoll engine room Eugene O'Neill Eugene O'Neill Newsletter expressionistic felt Gelb Genetian gesture gorilla Hairy Ape human Ibid illusion imagination Jean Genet Kabuki knew Korner ladder Louis Sheaffer Louis Wolheim Madame Madame's Maids masks Mercer Michael Chekhov Mildred Mitchell Theatre move never night Paddy Papin sisters performance Petty Officer Phillip Zarrilli physical play Power and Powerlessness production puppets Raymer realism reality Reeves rehearsal relationship ritual sailor Sartre Scene Three seemed sense Sheaffer ship Stanislavski System steel stokehole stoker story style theatrical thing Thody touch trying turned University University of Wisconsin-Madison voice W. B. Yeats watch Wisconsin Wolheim Yank and Claire Yank's York Zarrilli