Irony and Theatricality in Tirso de Molina

according action actors ambiguity Amón appearance approach Aquiles audience audience's authority Baroque become believe burlador Calderón calls characters claims clearly comedy comic condenado considered contrast conventions create critics David death detachment device disguise distance divine Don Gil Don Juan Doña drama echo effect enactment Enrico example express fact father fear figure Frye function God's gracioso historical honor human idea identify identity illusion involvement ironic irony judgment King language linguistic literary María Marta means mock moral mujer nature observer Paulo play playwright plots present question reading reality recognizes refers rejection reveals Review role role-play satire says scenes sense simultaneously social society stage stand structure Studies suggest Tamar term theater theatrical theme thing tion Tirso de Molina Tirso's plays tragedy tragic true types woman women writes