Shakespeare's Comedy of LoveFirst published in 1987. |
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Alexander Leggatt. SHAKESPEARE'S COMEDY OF LOVE ALEXANDER LEGGATT ROUTLEDGE Routledge Taylor & Francis Group LONDON AND NEW YORK First published in 1974 Reprinted in 2005 by Routledge 2.
Alexander Leggatt. SHAKESPEARE'S COMEDY OF LOVE ALEXANDER LEGGATT ROUTLEDGE Routledge Taylor & Francis Group LONDON AND NEW YORK First published in 1974 Reprinted in 2005 by Routledge 2.
Strana 2
First published 1974 by Methuen & Co Ltd 11 New Fetter Lane , London EC4 © 1973 Alexander Leggatt Printed in Great Britain by Richard Clay ( The Chaucer Press ) Ltd Bungay , Suffolk SBN 416 79120 4 ( hardbound ) SBN 416 79130 i ...
First published 1974 by Methuen & Co Ltd 11 New Fetter Lane , London EC4 © 1973 Alexander Leggatt Printed in Great Britain by Richard Clay ( The Chaucer Press ) Ltd Bungay , Suffolk SBN 416 79120 4 ( hardbound ) SBN 416 79130 i ...
Strana 7
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Strana 11
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Strana 11
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Co říkají ostatní - Napsat recenzi
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Obsah
Acknowledgements | 6 |
Preface xi | 9 |
The Comedy of Errors I | 11 |
The Two Gentlemen of Verona | 21 |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise Dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision