The Actor and the TextVirgin, 1992 - Počet stran: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Vyhledávání v knize
Výsledky 1-3 z 39
Strana 35
... deal with briefly here is the contrast between the heightened poetic text of Shakespeare and the Jacobeans , and the naturalistic modern text of the last forty or so years . Because the contrast is sharp , we will learn more , and it ...
... deal with briefly here is the contrast between the heightened poetic text of Shakespeare and the Jacobeans , and the naturalistic modern text of the last forty or so years . Because the contrast is sharp , we will learn more , and it ...
Strana 73
... deal : almost always it is in couplets , but in Love's Labour's Lost , for instance , the rhyme is often on alternate lines , making it a good deal more artificial and in a way literary , which is something the actor has to deal with ...
... deal : almost always it is in couplets , but in Love's Labour's Lost , for instance , the rhyme is often on alternate lines , making it a good deal more artificial and in a way literary , which is something the actor has to deal with ...
Strana 141
... deal about feeling the language familiar inside you . I feel this to be of the utmost importance : not just that the language feels easy , but that it becomes part of your inner landscape . I feel too much Shakespeare gets acted right ...
... deal about feeling the language familiar inside you . I feel this to be of the utmost importance : not just that the language feels easy , but that it becomes part of your inner landscape . I feel too much Shakespeare gets acted right ...
Obsah
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Autorská práva | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Odkazy na tuto knihu
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Náhled není k dispozici. - 2007 |