The Actor and the TextVirgin, 1992 - Počet stran: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Vyhledávání v knize
Výsledky 1-3 z 30
Strana 15
... hold us back from making the text as rich and alive as possible . This may seem negative , but I think there are certain attitudes and ways of working by which we are conditioned , which take our attention away from the right verbal ...
... hold us back from making the text as rich and alive as possible . This may seem negative , but I think there are certain attitudes and ways of working by which we are conditioned , which take our attention away from the right verbal ...
Strana 203
... hold them — and this without diminishing their emotional weight . - - ( viii ) This requires two actors to one character , the second to place himself just slightly to the side and behind the first . The scene should be played through ...
... hold them — and this without diminishing their emotional weight . - - ( viii ) This requires two actors to one character , the second to place himself just slightly to the side and behind the first . The scene should be played through ...
Strana 226
... Hold out my horse , and I will first be there . [ Exeunt . Richard II , II.1 . The shape of the whole scene is quite wonderful . Each speech has to answer the last precisely , and take the thought on : they are perfectly phrased and ...
... Hold out my horse , and I will first be there . [ Exeunt . Richard II , II.1 . The shape of the whole scene is quite wonderful . Each speech has to answer the last precisely , and take the thought on : they are perfectly phrased and ...
Obsah
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Autorská práva | |
Další části 10 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Odkazy na tuto knihu
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Náhled není k dispozici. - 2007 |