The Actor and the TextVirgin, 1992 - Počet stran: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Strana 164
... repeating one of the sets of words , whichever you choose . This is a very useful series of exercises . I have given a ... repeat : often just repeating words that grab you , that are interesting , set you off . Second , you can vary the ...
... repeating one of the sets of words , whichever you choose . This is a very useful series of exercises . I have given a ... repeat : often just repeating words that grab you , that are interesting , set you off . Second , you can vary the ...
Strana 276
... Repeat this once . And repeat again once or twice during the floor exercises . Take time to feel your back spread . Breathing : Ribs . We want to get the ribs 276 THE ACTOR AND THE TEXT.
... Repeat this once . And repeat again once or twice during the floor exercises . Take time to feel your back spread . Breathing : Ribs . We want to get the ribs 276 THE ACTOR AND THE TEXT.
Strana 279
... repeat without tension keeping the sound firm but free . Feel the exact movement of the muscles . Now repeat these two sounds and open on to a vowel . First find a spot on the ceiling so that you send the sound to that spot like a dart ...
... repeat without tension keeping the sound firm but free . Feel the exact movement of the muscles . Now repeat these two sounds and open on to a vowel . First find a spot on the ceiling so that you send the sound to that spot like a dart ...
Obsah
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Autorská práva | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Odkazy na tuto knihu
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Náhled není k dispozici. - 2007 |