The Actor and the TextVirgin, 1992 - Počet stran: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
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Strana 78
... soliloquy : and as such they have a quite specific function , for they carry us with a certain flourish into the next piece of action . They need care because they provide a formal ending to what may have been a free and naturalistic ...
... soliloquy : and as such they have a quite specific function , for they carry us with a certain flourish into the next piece of action . They need care because they provide a formal ending to what may have been a free and naturalistic ...
Strana 131
... soliloquy on page 61 , which we have already analysed in terms of metre , you will notice : Her theme is in the ... soliloquy on page 118. This runs quite quickly : The initial statement runs right down to ' planetary influence ' seven ...
... soliloquy on page 61 , which we have already analysed in terms of metre , you will notice : Her theme is in the ... soliloquy on page 118. This runs quite quickly : The initial statement runs right down to ' planetary influence ' seven ...
Strana 181
... soliloquies - Hamlet's ' To be , or not to be . . . ' is of course perfect — but all of the soliloquies are like a ... soliloquy are more clearly defined , and so the exercises will throw up more surprising things in terms of rhythm in ...
... soliloquies - Hamlet's ' To be , or not to be . . . ' is of course perfect — but all of the soliloquies are like a ... soliloquy are more clearly defined , and so the exercises will throw up more surprising things in terms of rhythm in ...
Obsah
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Autorská práva | |
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Odkazy na tuto knihu
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Náhled není k dispozici. - 2007 |