The Actor and the TextVirgin, 1992 - Počet stran: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Vyhledávání v knize
Výsledky 1-3 z 32
Strana 55
... stress with length of syllable varies the movement of the line , and ii ) the metre stress does not always lie with the sense stress . The permutations made by these two factors are endless , and therefore are endlessly interesting ...
... stress with length of syllable varies the movement of the line , and ii ) the metre stress does not always lie with the sense stress . The permutations made by these two factors are endless , and therefore are endlessly interesting ...
Strana 172
... stress of the sense . 1 2 3 4 5 6 7 8 9 10 11 12 13 14 When I do count the clock that tells the time , And see the ... stress , as it places the thought of the sonnet in time . Though the stress is on ' brave ' and ' sunk ' , ' day ' has ...
... stress of the sense . 1 2 3 4 5 6 7 8 9 10 11 12 13 14 When I do count the clock that tells the time , And see the ... stress , as it places the thought of the sonnet in time . Though the stress is on ' brave ' and ' sunk ' , ' day ' has ...
Strana 232
... stress ' that ' , though perhaps the stress on ' is ' makes more significant sense . In the second line the first syllable of ' Whether has to be stressed , which immediately breaks the metre and hooks our mind on the question . It also ...
... stress ' that ' , though perhaps the stress on ' is ' makes more significant sense . In the second line the first syllable of ' Whether has to be stressed , which immediately breaks the metre and hooks our mind on the question . It also ...
Obsah
by Trevor Nunn | 8 |
Structures Energy Imagery and Sound | 14 |
Shakespeare | 40 |
Autorská práva | |
Další části 10 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Odkazy na tuto knihu
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Náhled není k dispozici. - 2007 |