The Actor and the TextVirgin, 1992 - Počet stran: 303 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. Building on the specific exercises covered in her first book, Voice and the Actor, Cicely Berry relates the practicality of voice production to the challenges of a different text. And by getting inside the words we use - whether those of Shakespeare or our contemporaries - she shows how to release their energy and excitement for an audience. |
Vyhledávání v knize
Výsledky 1-3 z 35
Strana 102
... thou Mars , I tell thee . . . You will notice the very muscular language . Coriolanus , IV.5 . The thoughts are long ... thou didst kill him ; I had a Rutland too , and thou holp'st to kill him . Queen Margaret : Thou hadst a Clarence ...
... thou Mars , I tell thee . . . You will notice the very muscular language . Coriolanus , IV.5 . The thoughts are long ... thou didst kill him ; I had a Rutland too , and thou holp'st to kill him . Queen Margaret : Thou hadst a Clarence ...
Strana 108
Cicely Berry. This man hath bewitched the bosom of my child . Thou , thou , Lysander , thou hast given her rhymes , And interchanged love - tokens with my child . Thou hast by moonlight at her window sung With feigning voice verses of ...
Cicely Berry. This man hath bewitched the bosom of my child . Thou , thou , Lysander , thou hast given her rhymes , And interchanged love - tokens with my child . Thou hast by moonlight at her window sung With feigning voice verses of ...
Strana 236
... thou thyself hast given her woeful breast . Oh turn thy edged sword another way , Strike those that hurt , and hurt ... thou with , but with a lordly Nation , That will not trust thee , but for profit's sake ? When Talbot hath set ...
... thou thyself hast given her woeful breast . Oh turn thy edged sword another way , Strike those that hurt , and hurt ... thou with , but with a lordly Nation , That will not trust thee , but for profit's sake ? When Talbot hath set ...
Obsah
by Trevor Nunn 789 | 9 |
Heightened versus Naturalistic Text | 32 |
Shakespeare Setting out the Rules | 52 |
Autorská práva | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Odkazy na tuto knihu
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Náhled není k dispozici. - 2007 |