Errors and Prepoffeffions difficult to be avoided, N. 117. Encratia, her Character, N. 144. Eudofia, her Character, N. 144. Eudoxus and Leontine, their Friendship, and Education of their Children, N. 123. F. FALSHOOD in Man, a Recommendation to the fair Sex, N. 156. Fashion. Men of Fashion, who, N. 151. Fauftina the Emprefs, her Notions of a pretty Gentleman, N. 128. Freeport, (Sir Andrew) his Moderation in Point of Politicks, N. 126. G. LORY, the Love of it, N. 139. In what the Geography of a Jeft fettled, N. 138. Good-breeding, the great Revolution that has happened in that Article, N. 119. Gypfies. An Adventure between Sir Roger, the SpeChator, and fome Gypfies, N. 130. H. HANDSOME People generally fantaftical, N. 144. The Spectator's Lift of fome handsome Ladies, ibid, Hate Hate. Why a Man ought not to hate even his Ene mies, N. 125. Heathen. Philofopher, N. 150. Heirs and Elder Brothers frequently fpoiled in their Education, N. 123. Hiftorian in Conversation, who, N. 136. Honeycomb (Will.) His Letter to the Spectator, N. 131.His Notion of a Man of Wit, 151. His Boafts, ibid. His Artifice, 156. I. ICHNEUMON, Impertinents, feveral forts of them defcribed, N. 148. Indigo, the Merchant, a Man of prodigious Intelligence, N. 136. Indifpofition, a Man under any, whether real or imaginary, ought not to be admitted into Company, N. 143. Instinct, the Power of it in Brutes, N. 120. L... LANCASHIRE Witches, a Comedy, cenfured, N. 141. Leontine and Eudoxus, their great Friendship and Adventures, N. 123. Letters to the Spectator; from complaining of the new Petticoat, N. 127; from a Lawyer on the Circuit, with an Account of the Progrefs of the Fashions in the Country, 129; from Will. Honeycomb, 131; from George Trusty, thanking the Spedator for the great Benefit he has received from his Works Works, 134; from William Wifeacre, who defires his Daughter may learn the Exercife of the Fan, ibid. from a profefs'd Lyar, 136; from Ralph Valet, the faithful Servant of a perverfe Mafter, 137; from Patience Giddy, the next Thing to a Lady's Woman, ibid. from Lydia Novell, complaining of her Lover's Conduct, 140; from R. D. concerning the corrupt Taste of the Age, and the Reasons of it, ibid. from Betty Saunter about a Wager, ibid. from Parthenope, who is angry with the Spectator for meddling with the Ladies Petticoats, ibid. fromupon Drinking, ibid, from Rachael Bafto concerning Female Gamefters, ibid. from Parthenia, ibid. from -containing a Reflection on a Comedy called The Lancashire Witches, 141; from Andromache, complaining of the falfe Notion of Gallantry in Love, with fome Letters from her Husband to her, 142; from concerning Wagerers, 145; from complaining of Impertinenrs in Coffee-houses, ibid. from complaining of an old Batchelour, ibid. from concerning the Skirts in Men's Coats, ibid. from on the reading the Common-Prayer, 147; from the Spectator to a dancing Outlaw, 148; from the fame to a dumb Vifitant, ibid. to the Spectator from Sylvia a Widow, defiring his Advice in the Choice of a Husband, 149; the Spectator's Anfwer, ibid. to the Spectator from Simon Honeycomb, giving an Account of his Modefty, Impudence, and Marriage, 154; from an Idol that keeps a Coffee-Houfe, 155; from a beautiful Miliner, complaining of her Cuftomers, ibid. from with a Reproof to the Spectator, 158; from concerning the Ladies Vifitants, ibid. from plaining of the Behaviour of Perfons in Church, ibid. from a Woman's Man, ibid. Lewis of France, compared with the Czar of Mufcovy, N. 139. com Life Life is not real but when chearful, N. 143. In what Manner to be regulated, ibid. How to have a right Enjoyment of it, ibid. Love, a Paffion never well cured, N. 118. Natural Love in Brutes more intenfe than in reasonable Creatures, 120. The Gallantry of it on a very ill Foot, 142. Love has nothing to do with State, 149, M. MACKBETH, the Incantations in that Play vin dicated, N. 141. Males among the Birds have only Voices, N. 128. Marlborough (John Duke of) took the French Lines without Bloodshed, N..139. Marriage-Life, always an infipid, a vexatious, or happy Condition, N. 149. Mafter. A Complaint against some ill Masters, N. 136. Merab, her Character, Ñ. 144. Mode. A ftanding Mode or Drefs recommended, N. 129. Modesty in Men naways acceptable to the Ladies, N.154 AMP HILIO P4 P. good. Mafter, N. 1376Parties. An Inftance of the Malice of Parties, N. 125: The dismal Effects of a furious Party Spirit, ibid. It corrupts both our Morals and Judgment, ibid. And reigns more in the Country than Town, 126. Party Scriblers reproved, 125.. Petticoat. A Complaint againftthe Hoop Petticoat, N.127. Several Conjectures upon it, ibid. Compared to an Egyptian Temple, ibid. Bho Phocion, his Behaviour at his Death, N. 133. Place and Precedency more contested among Women of an inferior Rank than Ladies of Quality, N. 119. Pleasure, when our chief Purfuit, difappoints it felf, N. 151. The Deceitfulness of Pleasure, ibid. Poverty, the Inconveniences and Mortifications usually attending it, N. 150. Procraftination, from whence proceeding, N. 151. Providence, demonftrative Arguments for it, N. 120. Punishments in Schools difapproved, N. 157. R. READING bad for the Eyes, N. 123. Reafon, not to be found in Brutes, N. 120. SCH S. CHOOL MASTER, the Ignorance and Undif cerning of the Generality of them, N. 157. Scipio, his Judgment of Marius when a Boy, N. 157. Sentry, his Account of a Soldier's Life, N. 152. Servants. The hard Condition of many Servants, N. 137. Shakespear, wherein inimitable, N. 141. Sloven a Character affected by fome, and for what Reafon, N. 150. The Folly and Antiquity of it, ibid. Snuff-Box, the Exercise of it, where taught, N. 138. Socrates, his Behaviour at his Execution, N. 133. His Speech to his Judges, 146. Soldiers, when Men of Senfe, of an agreeable Conver fation, N. 152. Spectator goes with Sir Roger de Coverley to the Affizes, N. 122. His Adventure with a Crew of Gypfies, 130. The feveral Opinions of him in the Country, 131. His Return to London, and Fellow-Travellers in the Stage Coach, 132. His Soliloquy upon the fudden and unexpected Death of a Friend, 133. Sto |