ANTONIO, a Merchant of Venice.

BASSANIO, his kinsman, suitor to Portia.

GRATIANO,

SALANIO,

SALARINO,

friends to Antonio and Bassanio.

LORENZO, in love with Jessica.

SHYLOCK, a Jew.

TUBAL, a Jew, his friend.

LAUNCELOT GOBBO, a Clown, servant to Shylock, after

Magnificoes of Venice, Officers of the Court of Justice, Gaoler, Servants to Portia, and other Attendants.

SCENE: Partly at Venice, and partly at Belmont.

THE MERCHANT OF VENICE

ACT I.

SCENE I. Venice. A street.

Enter ANTONIO, SALARINO, and SALANIO.

ANT. In sooth, I know not why I am so sad.
It wearies me; you say, it wearies you;
But how I caught it, found it, or came by it,
What stuff 'tis made of, whereof it is born,
I am to learn:

And such a want-wit sadness makes of me,
That I have much ado to know myself.

SALAR. Your mind is tossing on the ocean,
There where your argosies with portly sail,
Like signiors and rich burghers on the flood,
Or, as were, the pageants of the sea,
Do overpeer the petty traffickers

That curt'sy to them, do them reverence
As they fly by them with their woven wings.
SALAN. Believe me, sir, had I such venture forth,
The better part of my affections would

Be with my hopes abroad.

I should be still

Plucking the grass to know where sits the wind,
Peering in maps for ports, and piers, and roads;
And every object that might make me fear
Misfortune to my ventures, out of doubt
Would make me sad.

SALAR.

My wind cooling my broth, Would blow me to an ague when I thought

ΙΟ

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B

What harm a wind too great might do at sea.
I should not see the sandy hour-glass run,
But I should think of shallows and of flats,
And see my wealthy Andrew docked in sand,
Vailing her high-top lower than her ribs
To kiss her burial. Should I go to church,
And see the holy edifice of stone

And not bethink me straight of dangerous rocks,
Which touching but my gentle vessel's side
Would scatter all her spices on the stream,
Enrobe the roaring waters with my silks;
And, in a word, but even now worth this,

And now worth nothing? Shall I have the thought
To think on this, and shall I lack the thought
That such a thing bechanced would make me sad?
But tell not me; I know Antonio

Is sad to think upon his merchandise.

ANT. Believe me, no. I thank my fortune for it,
My ventures are not in one bottom trusted,
Nor to one place; nor is my whole estate
Upon the fortune of this present year :
Therefore my merchandise makes me not sad.
SALAR. Why, then you are in love.

ANT.

Fie, fie!

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40

SALAR. Not in love neither: then let us say you are sad Because you are not merry; and 't were as easy

For you to laugh and leap and say you are merry

Because you are not sad. Now, by two-headed Janus, 50 Nature hath framed strange fellows in her time:

Some that will evermore peep through their eyes

And laugh, like parrots, at a bag-piper,
And other of such vinegar aspect,

That they'll not show their teeth in way of smile
Though Nestor swear the jest be laughable.

Enter BASSANIO, LORENZO, and GRATIANO.

SALAN. Here comes Bassanio, your most noble kinsman, Gratiano, and Lorenzo. Fare ye well:

We leave you now with better company.

SALAR. I would have stayed till I had made you merry,

If worthier friends had not prevented me.

ANT. Your worth is very dear in my regard.

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I take it, your own business calls on you,
And you embrace the occasion to depart.
SALAR. Good morrow, my good lords.

BASS. Good signiors both, when shall we laugh? say,

when?

You grow exceeding strange: must it be so?

SALAR. We'll make our leisures to attend on yours. [Exeunt SALARINO and SALANIO.

LOR. My Lord Bassanio, since you have found Antonio, We two will leave you; but at dinner-time,

I pray you, have in mind where we must meet.
BASS. I will not fail you.

GRA. You look not well, signior Antonio;
You have too much respect upon the world:
They lose it that do buy it with much care.
Believe me, you are marvellously changed.
ANT. I hold the world but as the world, Gratiano;
A stage where every man must play a part,
And mine a sad one:

Let me play the Fool:

GRA.
With mirth and laughter let old wrinkles come,
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man whose blood is warm within
Sit like his grandsire cut in alablaster,

Sleep when he wakes, and creep into the jaundice
By being peevish? I tell thee what, Antonio-
I love thee, and it is my love that speaks—
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a wilful stillness entertain
With purpose to be dressed in an opinion
Of wisdom, gravity, profound conceit;
As who should say, 'I am Sir Oracle,
And when I ope my lips, let no dog bark!'
O my Antonio, I do know of these,
That therefore only are reputed wise,
For saying nothing; when, I am very sure,

If they should speak would almost damn those ears,
Which, hearing them, would call their brothers fools.
I'll tell thee more of this another time:
But fish not with this melancholy bait
For this fool gudgeon, this opinion.

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Come, good Lorenzo. Fare ye well awhile:

I'll end my exhortation after dinner.

LOR. Well, we will leave you then till dinner-time.
I must be one of these same dumb wise men,
For Gratiano never lets me speak.

GRA. Well, keep me company but two years moe,
Thou shalt not know the sound of thine own tongue.
ANT. Farewell: I'll grow a talker for this gear.
GRA. Thanks, i' faith; for silence is only commendable
In a neat's tongue dried.

ΙΙΟ

[Exeunt GRATIANO and LORENZO. ANT. Is that anything now?

BASS. Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them; and when you have them, they are not worth the search.

ANT. Well, tell me now, what lady is the same

To whom you swore a secret pilgrimage,
That you to-day promised to tell me of?
BASS. 'Tis not unknown to you, Antonio,
How much I have disabled mine estate
By something showing a more swelling port
Than my faint means would grant continuance:
Nor do I now make moan to be abridged
From such a noble rate: but my chief care
Is to come fairly off from the great debts
Wherein my time, something too prodigal,
Hath left me gaged. To you, Antonio,
I owe the most, in money and in love;
And from your love I have a warranty
To unburthen all my plots and purposes
How to get clear of all the debts I owe.

ANT. I pray you, good Bassanio, let me know it;
And if it stand, as you yourself still do,

Within the eye of honour, be assured,

My purse, my person, my extremest means,

Lie all unlocked to your occasions.

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BASS. In my school-days, when I had lost one shaft, 140

I shot his fellow of the self-same flight

The self-same way, with more advised watch,

To find the other forth, and by adventuring both

I oft found both. I urge this childhood proof