The Spectator, Svazek 4J.M. Dent & Company, 1923 |
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Strana 175
... Public Satisfaction in that Matter . In Relations , No. 521 . the Force of the Expression lies very often more in the Tuesday , Look , the Tone of Voice , or the Gesture , than the Words themselves ; which being repeated in any other ...
... Public Satisfaction in that Matter . In Relations , No. 521 . the Force of the Expression lies very often more in the Tuesday , Look , the Tone of Voice , or the Gesture , than the Words themselves ; which being repeated in any other ...
Strana 265
... public . To him also Edmund Smith submitted his translation of Longinus ( Johnson , Lives , ii . 242 ) . He is probably the old friend " who contributed two letters ( in a similar strain ) to the Tatler ( Nos . 89 and 112 ) , to which ...
... public . To him also Edmund Smith submitted his translation of Longinus ( Johnson , Lives , ii . 242 ) . He is probably the old friend " who contributed two letters ( in a similar strain ) to the Tatler ( Nos . 89 and 112 ) , to which ...
Strana 279
... public in the following papers . These supplementary essays appeared on Mondays , Wednesdays , and Fridays . The series ran to but eighty numbers , and Addison and his bookseller were careful to inform the public that it , with the ...
... public in the following papers . These supplementary essays appeared on Mondays , Wednesdays , and Fridays . The series ran to but eighty numbers , and Addison and his bookseller were careful to inform the public that it , with the ...
Strana 294
... public entertainer in Bartholomew Lane , behind the New Exchange . He imitated " the Flute , Double Curtel , the Organ with 3 Voices , the Horn , Huntsman , and Pack of Hounds all performed by his natural Voice " ( Advt . in 533 A ) ...
... public entertainer in Bartholomew Lane , behind the New Exchange . He imitated " the Flute , Double Curtel , the Organ with 3 Voices , the Horn , Huntsman , and Pack of Hounds all performed by his natural Voice " ( Advt . in 533 A ) ...
Strana 310
... Public , Vision of , i . 12 . Cries of London , The , iii . 305 etc. Cripplegate , vi . 277 . Dances and Dancing , i . 7 , 137 , 252 , 253 , 255 , 342 ; ii . 238 ; iv . 224-5 ; v . 51 , 201 , 220 ; vi . 254 ; viii . 204 . Dapperwit ...
... Public , Vision of , i . 12 . Cries of London , The , iii . 305 etc. Cripplegate , vi . 277 . Dances and Dancing , i . 7 , 137 , 252 , 253 , 255 , 342 ; ii . 238 ; iv . 224-5 ; v . 51 , 201 , 220 ; vi . 254 ; viii . 204 . Dapperwit ...
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acquainted ADDISON Admirer agreeable appear August 13 Author Beauty Body Character Cicero consider Conversation Country Creatures Delight Desire Discourse Divine Dreams endeavour Entertainment Eternity Eyes Fancy fantastick Favour Fortune Friday Friend Gentleman give Hand Happiness hath hear heard Heart Herodotus Honour hope Horace Human humble Servant Humour Husband Imagination infinite July 28 June 25 Juvenal kind Lady Letter live look Love Lover Mankind Manner Marriage married Matter Mind Monday Motto Name Nature never Number obliged observed Occasion October October 11 October 29 Ovid Paper particular Passion Person Pharamond Place pleased Pleasure Plutarch present pretty Publick Reader Reason Rechteren Saturday Satyr Sept Shalum shew Soul speak SPECTATOR Subject surprized Tatler tell thing thou thought Thursday tion Tirzah told Town Trophonius Truth Tuesday Virgil Virtue Wednes day Wednesday whole Wife Woman Words World write young