The Dark Lantern: A Historical Study of Sight in Shakespeare, Webster, and MiddletonActa Universitatis Gothoburgensis, 1999 - Počet stran: 533 |
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Strana 400
... madness ; the authors seem to feel that there is some mystery about madness , which they must drag to light , however clumsily . ( Empson 147 ) . He also points out that the Duchess " wishes she was mad , and some kind of unreasonable ...
... madness ; the authors seem to feel that there is some mystery about madness , which they must drag to light , however clumsily . ( Empson 147 ) . He also points out that the Duchess " wishes she was mad , and some kind of unreasonable ...
Strana 401
... madness . One important reason for the avid Elizabethan and Jacobean interest in madness was that its meaning was far from fixed . Various explanations were disseminated , ranging from humoural imbalance ( leading to an excess of black ...
... madness . One important reason for the avid Elizabethan and Jacobean interest in madness was that its meaning was far from fixed . Various explanations were disseminated , ranging from humoural imbalance ( leading to an excess of black ...
Strana 424
... madness into “ a specta- cle that overtly disclaims any other dramatic or didactic purpose than to ' plague in art " " ( 4 ) and thereby " points ahead to the emergence of reason's sovereignty that will relegate unreason to a distant ...
... madness into “ a specta- cle that overtly disclaims any other dramatic or didactic purpose than to ' plague in art " " ( 4 ) and thereby " points ahead to the emergence of reason's sovereignty that will relegate unreason to a distant ...
Obsah
INTRODUCTION | iii |
THE DARK LANTERN | 45 |
THE REFORMED EYE | 107 |
Autorská práva | |
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Achilles active antivisual argued becomes Bianca blindness Bosola Calvin camera obscura chapter conception of sight context critics culture dark deception Descartes described Desdemona detached Dingley discussion distinction dramatic Duchess of Malfi early modern English example explore extramission eyebeam Ferdinand gaze George Hakewill Greeks heart heaven historical Hobbes Iago Iago's iconoclastic idolatry intromissive John Webster Kepler King King Lear Leantio Lear light literary London look Lucrece Lucrece's madness means Middleton mind mirror nature object observer ocular proof optics Othello participation passive perception perspective play poem poet poet's Puritan reading reciprocal reformed religious Renaissance Second Maiden's Tragedy seems seen sense seventeenth century Shakespeare social Sonnet 24 soul specular speculative vision suggests Tarquin things Thomas Middleton tion traditional tragedy Troilus and Cressida turn Ulysses Venus and Adonis visible visual experience visual theory Webster White Devil Women Beware Women words youth