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truth a theologian in liquor is not a respectable object, and a hermit, though he may be out at elbows, must not be in debt to the tailor. Steele says of himself that he was always sinning and repenting. He beat his breast and cried most piteously when he did repent: but as soon as crying had made him thirsty, he fell to sinning again. In that charming

company-but, granting 'twere as you say, as to my Lord Hardy-'tis more excusable to admire another than oneself.

"L. Ha. No, I think not, yes, I grant you, than really to be vain of one's person, but I don't admire myself,- Pish! I don't believe my eyes to have that softness. [Looking in the glass.] They a'n't so piercing: no, 'tis only stuff, the men will be talking. Some people are such admirers of teethLord, what signifies teeth! [Showing her teeth.] A very black-a-moor has as white a set of teeth as I.-No, sister, I don't admire myself, but I've a spirit of contradiction in me: I don't know I'm in love with myself, only to rival the

men.

"L. Ch. Ay, but Mr. Campley will gain ground ev'n of that rival of his, your dear self.

"L. Ha. Oh, what have I done to you, that you should name that insolent intruder? A confident, opinionative fop. No, indeed, if I am, as a poetical lover of mine sighed and sung of both sexes,

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The public envy and the public care,'

I shan't be so easily catched-I thank him-I want but to be sure I should heartily torment him by banishing him, and then consider whether he should depart this life or not.

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L. Ch. Indeed, sister, to be serious with you, this vanity in your humour does not at all become you.

"L. Ha. Vanity! All the matter is, we gay people are more sincere than you wise folks: all your life's an art.-Speak your soul.-Look you there. --[Hauling her to the glass.] Are you not struck with a secret pleasure when you view that bloom in your look, that harmony in your shape, that promptitude in your mien ?

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L. Ch. Well, simpleton, if I am at first so simple as to be a little taken with myself, I know it a fault, and take pains to correct it.

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L. Ha. Pshaw! Pshaw! Talk this musty tale to old Mrs. Fardingale, 'tis too soon for me to think at that rate.

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L. Ch. They that think it too soon to understand themselves will very soon find it too late.-But tell me honestly, don't you like Campley?

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L. Ha. The fellow is not to be abhorred, if the forward thing did not think of getting me so easily.-Oh, I hate a heart I can't break when I please. -What makes the value of dear china, but that 'tis so brittle?- were it not for that, you might as well have stone mugs in your closet."— The Funeral, Oct. 2nd.

"We knew the obligations the stage had to his writings [Steele's]; there being scarcely a comedian of merit in our whole company whom his Tatlers had not made better by his recommendation of them."-Cibber.

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paper in the Tatler, in which he records his father's death, his mother's griefs, his own most solemn and tender emotions, he says he is interrupted by the arrival of a hamper of wine, "the same as is to be sold at Garraway's, next week; " upon the receipt of which he sends for three friends, and they fall to instantly, "drinking two bottles apiece, with great benefit to themselves, and not separating till two o'clock in the morning.'

His life was so. Jack the drawer was always interrupting it, bringing him a bottle from the "Rose," or inviting him over to a bout there with Sir Plume and Mr. Diver; and Dick wiped his eyes, which were whimpering over his papers, took down his laced hat, put on his sword and wig, kissed his wife and children, told them a lie about pressing business, and went off to the "Rose" to the jolly fellows.

While Mr. Addison was abroad, and after he came home. in rather a dismal way to wait upon Providence in his shabby lodging in the Haymarket, young Captain Steele was cutting a much smarter, figure than that of his classical friend of Charterhouse Cloister and Maudlin Walk. Could not some painter give an interview between the gallant Captain of Lucas's, with his hat cocked, and his lace, and his face too, a trifle tarnished with drink, and that poet, that philosopher, pale, proud, and poor, his friend and monitor of school-days, of all days? How Dick must have bragged about his chances and his hopes, and the fine company he kept, and the charms of the reigning toasts and popular actresses, and the number of bottles that he and my Lord and some other pretty fellows had cracked over-night at the "Devil," or the "Garter"! Cannot one fancy Joseph Addison's calm smile and cold grey eyes following Dick for an instant, as he struts down the Mall to dine with the Guard at Saint James's, before he turns, with his sober pace and threadbare suit, to walk back to his lodgings up the two pair of stairs? Steele's name was down for promotion, Dick always said himself, in the gloricus, pious, and immortal William's last table-book. Jonathan Swift's name had been written there by the same hand too.

Our worthy friend, the author of the "Christian Hero," continued to make no small figure about town by the use of

his wits. He was appointed Gazetteer: he wrote, in 1703, "The Tender Husband," his second play, in which there is some delightful farcical writing, and of which he fondly owned in after life, and when Addison was no more, that there were "many applauded strokes" from Addison's beloved hand.† Is it not a pleasant partnership to remember? Can't one fancy Steele full of spirits and youth, leaving his gay company to go to Addison's lodging, where his friend sits in the shabby sitting-room, quite serene, and cheerful, and poor? In 1704, Steele came on the town with another comedy, and behold it was so moral and religious, as poor Dick insisted, so dull the town thought, that the "Lying Lover" was damned.

Addison's hour of success now came, and he was able to help our friend the "Christian Hero" in such a way, that, if there had been any chance of keeping that poor tipsy champion upon his legs, his fortune was safe, and his competence assured. Steele procured the place of Commissioner of Stamps: he wrote so richly, so gracefully often, so kindly always, with such a pleasant wit and easy frankness, with such a gush of good spirits and good humour, that his early papers may be compared to Addison's own, and are to be read, by a male reader at least, with quite an equal pleasure.‡

"There is not now in his sight that excellent man, whom Heaven made his friend and superior, to be at a certain place in pain for what he should say or do. I will go on in his further encouragement. The best woman that ever man had cannot now lament and pine at his neglect of himself."- STEELE [of himself): The Theatre. No. 12, Feb. 1719-20.

The Funeral supplies an admirable stroke of humour, -one which Sydney Smith has used as an illustration of the faculty in his lectures. The undertaker is talking to his employés about their duty.

"Sable. Ha, you!-A little more upon the dismal forming their countenances]; this fellow has a good mortal look,- place him near the corpse: that wainscot-face must be o' top of the stairs; that fellow's almost in a fright (that looks as if he were full of some strange misery) at the end of the hall. So - But I'll fix you all myself. Let's have no laughing now on any provocation. Look yonder-that hale, well-looking puppy! You ungrateful scoundrel, did not I pity you, take you out of a great man's service, and show you the pleasure of receiving wages? Did not I give you ten, then fifteen, and twenty shillings a week to be sorrowful?-and the more I give you I think the gladder you are!"

"FROM MY OWN APARTMENT: Nor, 16. "There are several persons who have many pleasures and entertainments in their possession, which they do not enjoy; it is, therefore, a kind and good

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