Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 6. 12. 2012 - Počet stran: 192 In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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Strana viii
... Antonio Damasio has famously argued, that ever mistakenly separated body from mind in the first place.3) Nevertheless, the chemical workings of the brain are not simple. “The functional superiority of the human brain,” writes Santiago ...
... Antonio Damasio has famously argued, that ever mistakenly separated body from mind in the first place.3) Nevertheless, the chemical workings of the brain are not simple. “The functional superiority of the human brain,” writes Santiago ...
Strana xix
... Antonio Damasio would have it, but rather a “reentrant signaling” which coordinates and integrates fragmented operations along new neural connections, as Gerald Edelman and his associates in the Neuronal Group Selection theory have ...
... Antonio Damasio would have it, but rather a “reentrant signaling” which coordinates and integrates fragmented operations along new neural connections, as Gerald Edelman and his associates in the Neuronal Group Selection theory have ...
Strana 151
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 152
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
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