Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 6. 12. 2012 - Počet stran: 192 In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
Vyhledávání v knize
Výsledky 1-5 z 9
Strana vii
... early modern playwrights made from Aristotle's precepts came in the ready employment of those “lifeless things” that the Poetics goes on to criticize when used as a means of recognition. So common was this practice, in fact, that our ...
... early modern playwrights made from Aristotle's precepts came in the ready employment of those “lifeless things” that the Poetics goes on to criticize when used as a means of recognition. So common was this practice, in fact, that our ...
Strana ix
... early modern studies when a declared interest in material culture—objects, things, bodies, places—has become synonymous with a claim to theoretical currency, methodological innovation, or even, at its most dramatic, to the promise of ...
... early modern studies when a declared interest in material culture—objects, things, bodies, places—has become synonymous with a claim to theoretical currency, methodological innovation, or even, at its most dramatic, to the promise of ...
Strana x
... contemporary history plays, ballads, sermons, and treatises known to Shakespeare and his audiences not only beginning ... Early Modern English Drama, Jonathan Gil Harris and Natasha Korda confirm that such material objects as mirrors and ...
... contemporary history plays, ballads, sermons, and treatises known to Shakespeare and his audiences not only beginning ... Early Modern English Drama, Jonathan Gil Harris and Natasha Korda confirm that such material objects as mirrors and ...
Strana 2
... early modern investigation of rule and subjectivity? Give me that glass, and therein will I read, No deeper wrinkles yet? Hath sorrow struck So many blows upon this face of mine And made no deeper wounds? (4.1.266–69) Like the newly ...
... early modern investigation of rule and subjectivity? Give me that glass, and therein will I read, No deeper wrinkles yet? Hath sorrow struck So many blows upon this face of mine And made no deeper wounds? (4.1.266–69) Like the newly ...
Strana 151
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
according action activity become bell body brain called Cambridge Claudius clock cognitive concept continues court cultural daughter death divided early Elizabethan England English face father fear Figure give glass Goneril Hamlet hand hath Henry History hold hour human Italy John Juliet Kent kind King Lady land language Lear learning lines live London looking lord marginal mark material matter means measure memory mind mirror nature night notes objects observation Ophelia painted past patterns person play Polonius possible practice present Quoted record reference reflection rhetoric Richard Romeo rule scene seems sense Shakespeare’s soul speak stage tells thee things Thomas thou thought tion true turn University Press writes York