Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 6. 12. 2012 - Počet stran: 192 In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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Výsledky 1-5 z 11
Strana x
... an initial survey of cognitive science as it helps us to understand how objects such as mirrors, books, clocks, and maps would function for Shakespeare and his playgoers as well as for us—for the workings of the brain have x • Preface.
... an initial survey of cognitive science as it helps us to understand how objects such as mirrors, books, clocks, and maps would function for Shakespeare and his playgoers as well as for us—for the workings of the brain have x • Preface.
Strana xxiii
... playgoer's current individual association with the object. Royalists and Parliamentarians watching Richard II ask for a ... playgoers, forever required to perform too with their ongoing acts of semiosis. One final point before turning to ...
... playgoer's current individual association with the object. Royalists and Parliamentarians watching Richard II ask for a ... playgoers, forever required to perform too with their ongoing acts of semiosis. One final point before turning to ...
Strana xxiv
... playgoers who constitute meanings in which they participate. Such meanings may have first been aroused through past ... playgoer's own. The new materialism, coupled with cognitive practices, makes stage properties as seen in this process ...
... playgoers who constitute meanings in which they participate. Such meanings may have first been aroused through past ... playgoer's own. The new materialism, coupled with cognitive practices, makes stage properties as seen in this process ...
Strana 1
... playgoers by the mid-1590s: “Good king, great king,” he asks of Bolingbroke, —and yet not greatly good — An if my word be sterling yet in England, Let it command a mirror hither straight, That it may show me what a face I have, Since it ...
... playgoers by the mid-1590s: “Good king, great king,” he asks of Bolingbroke, —and yet not greatly good — An if my word be sterling yet in England, Let it command a mirror hither straight, That it may show me what a face I have, Since it ...
Strana 13
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