ing to Seneca, N. 93. Life is not real but when Love, a paffion never well cured, N. 118. Natural MAcbeth, the incantations in that play vindicat- ed, N. 141. Mahometans, a cuftom among them, N. 85. Marlborough (John Duke of) took the French lines. Marriage life, always a vexatious or happy condi- Mafter, a good one, a prince in his family, N. Mirzah, the vifions of, N. 159. 107. Mode, a ftanding mode or drefs recommended, N. 129. Modefty in men no ways acceptable to ladies, N. Mourning, the figns of true mourning generally N Nigranilla, a party lady, forced to patch on the wrong fide, N. 81. Nutmeg of Delight, one of the Perfian Emperor's P P Amphilio, a good mafter, N. 137. K Parties, an inftance of the malice of parties, Paffions of the fan, a treatife for the use of the Pedants, who fo to be reputed, N. rog. The book Pericles, his advice to the women, N. 81. Perfians, their inftitution of their youth, N. 99. ·Pharamond, fome account of him and his favourite, Phocion, his behaviour at his death, N. 133. Place and precedency more contefted among women- Pleasure, when our chief parfuit, disappoints itself, Pofterity, its priviledge, N. 101. Poverty, the inconveniences and mortifications ù- RE R Eafon not to be found in brutes, N. 120. Rival mother, the first part of her hiftory, N. 91. Roman and Sabine ladies, their example recommended to the British, N. 81. Rofalinda, a famous Whig-partizan, her misfortune, N. 81. Schoolmafter, the ignorance and undifcerning of the generality of them, N. 157, 168. Scipio, his judgment of Marius when a boy, N. 157. Sentry, his account of a foldier's life, N. 152. Servants, the general corruption of their manners, N. 88. Affume their mafters title, ibid. Some good among the many bad ones, 96, Influenced by the example of their fuperiors, ibid. and 107. The great merit of fome fervants in all ages, 107. The hard condition of many fervants, 137. Shakespear, wherein inimitable, N. 141. Sincerity, the great want of it in converfation, N. 103. Sloven, a character affected by fome, and for what reason, N. 150. The folly and antiquity of it, ibid. Snuff-box, the exercise of it, where taught, N. 138. Socrates, his behaviour at his execution, N. 133. His fpeech to his judges, 146. Soldiers, when men of fenfe, of an agreeable converfation, N. 152. Sorrow, the outward figns of it very fallacious, 95. N. Soul, the immortality of it evidenced from feveral proofs, N. 111. Spectator, his inquifitive temper, N. 85. His ac• count of himfelf and his works to be written 300 years hence, 101. His great modefty, ibid. He accompanies Sir Roger de Coverley into the counary, 106. His exercife when young, 115., He goes goes with Sir Rager a hunting, 116.; and to the Spirits, the appearance of them not fabulous, N. Iro Story-tellers, their ridiculous punctuality, N. 138. TAfte (corrupt) of the age, to what attributed, N. 140. Tears, not always the fign of true forrow, N. 95. Tom Touchy, a quarrelfome fellow, N. 122. Truepenny (Jack) ftrangely good-natured, N. 82. VA Aletudinarians.in fociety, who, N. 100. Not to Vapours in women, to what to be afcribed, N. 115. Virgil, his beautiful allegories founded on the Pla- Virtue, the exercife of it recommended, N. 93. Its Uranius, his great compofure of foul, N. 143. Wagering WWhite (Moll) a notorious witch, N. 117. "Agering difputants expofed, N..145. Widow (the) her manner of captivating Sir Roger Wimble (Will) his letter to Sir Roger de Coverley, N. 108.15 character, ibid. His converfation with the Spectator, ibid, a man of ceremony, 112, des World, the prefent, a nursery for the next, N. 111. END of the SECOND VOLUME. |