Medieval and Renaissance Drama in EnglandJohn Pitcher Fairleigh Dickinson Univ Press, 2001 - Počet stran: 320 Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare. |
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Výsledky 1-5 z 29
Strana 19
... possible involve- ment with Woodstock . For the moment , it is Lake's dating of the manu- script that concerns us . The importance of Lake's finding lies in the fact that it relates to the basic playscript , as distinct from features ...
... possible involve- ment with Woodstock . For the moment , it is Lake's dating of the manu- script that concerns us . The importance of Lake's finding lies in the fact that it relates to the basic playscript , as distinct from features ...
Strana 20
... possible that — like Thomas Bond ( also mentioned in the confirmation ) , Ellis Worth , and others connected with the London Queen Anne's Company / Players of the Revels before they disbanded — he eventually became a member of the ...
... possible that — like Thomas Bond ( also mentioned in the confirmation ) , Ellis Worth , and others connected with the London Queen Anne's Company / Players of the Revels before they disbanded — he eventually became a member of the ...
Strana 39
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 49
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 51
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
7 | |
9 | |
17 | |
Rewriting the Narrative of Dramatic Character or Not Shakespearean but Debatable | 66 |
Marlowes Cambridge and London Friendships | 86 |
The Political Contexts of Deposition and Election in Edward II | 105 |
Missing and Presumed Lost | 122 |
Dekkers Use of Hans Sachs and Purim in The Shoemakers Holiday | 144 |
National Formations Postcolonial Appropriations | 259 |
Protestantism and Popular Theater in Early Modern England | 264 |
Gender and Literacy on Stage in Early Modern England | 270 |
The Play of Dilation | 276 |
Attending to the OFactor | 281 |
WitchHunting and Maternal Power in Early Modern England | 287 |
Manuscripts and Their Makers in SeventeenthCentury England | 291 |
Introduction to English Renaissance Comedy | 306 |
Mayor John Spencer Elizabethan Civic Antitheatricalism and The Shoemakers Holiday | 168 |
The Taming of the Shrew and The Womans Prize or The Tamer Tamed | 186 |
Secrecy and Publication in A Game at Chess | 207 |
Negotiating a More Equal Marriage on the English Renaissance Stage | 227 |
Volpone | 311 |
Index | 315 |
Běžně se vyskytující výrazy a sousloví
Angels Anthony Marlowe antitheatricalism argues audience Benchkin Bianca Book of Esther Byancha Cambridge University Press Cartelli Catholic character Christopher Marlowe comedy context Court critics culture dated debatable Dekker's Diehl discussion Early Modern England edition Edward Edward II Elizabeth Elizabethan Esther evidence example Faustus figures Frijlinck Game at Chess gender Haman Henry History Hortensio husband Jacobean John Dutton Jonson's King Lacy Laurence Dutton Leggatt letter LION literacy London Lord Lucentio manuscript Marlowe's marriage marry Marston's Mayor notes OED's Othello Oxford performance Petruchio play play's player playhouse political Privy Council Protestant public sphere Purim Queen reading relationship Renaissance Drama Revels rhetoric Richard Richard II role Rowley Rowley's Sachs Samuel Rowley Sanders scene Shakespeare shoemaker Shoemaker's Holiday Shrew social Spanish Tragedy Spencer stage suggests Tamburlaine theater theatrical Thomas Thomas Dekker tion Tragedy Tranio Waddis Watson wife William woman Woman's Prize women Woodstock words
Oblíbené pasáže
Strana 78 - Who buzzeth in mine ears I am a spirit ? Be I a devil, yet God may pity me ; Ay, God will pity me, if I repent.
Strana 75 - O! coward conscience, how dost thou afflict me. The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What! do I fear myself? there's none else by Richard loves Richard; that is, I am I.
Strana 229 - Though not ignoble, yet inferior far To gracious fortunes of my tender youth: For there in prime and pride of all my years, By duteous service and deserving love, In secret I possess'da worthy dame, Which hight
Strana 241 - Are forc'd to express our violent passions In riddles and in dreams, and leave the path Of simple virtue, which was never made To seem the thing it is not. Go, go brag You have left me heartless; mine is in your bosom: I hope 'twill multiply love there. You do tremble: Make not your heart so dead a piece of flesh, To fear more than to love me. Sir, be confident : What...
Strana 39 - This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty,* frieze, Buttress, nor coign* of vantage, but this bird Hath made his pendent bed and procreant cradle : Where they most breed and haunt, I have observed...
Strana 80 - For God's sake let us sit upon the ground And tell sad stories of the death of kings...
Strana 234 - Happy in this, she is not yet so old But she may learn ; happier than this, She is not bred so dull but she can learn ; Happiest of all, is, that her gentle spirit Commits itself to yours to be directed, As from her lord, her governor, her king.
Strana 101 - Could not but take compassion of my state. Stately and proud, in riches and in train, Whilom I was, powerful, and full of pomp: But what is he whom rule and empery Have not in life or death made miserable? Come, Spencer; come, Baldock, come, sit down by me; Make trial now of that philosophy, That in our famous nurseries of arts Thou suck'dst from Plato and from Aristotle.
Strana 110 - For whatsoever man, woman, or childe, is by the consente of the whole realme established .in the royall seat, so it have not bene injuriously procured by rigour of sword and open force, but quietlye by title, eyther of enherytaunce, succession, lawful bequest, common consent, or eleccion, is undoubtedlye chosen by God to be his deputie...
Strana 117 - And, seeing there was no place to mount up higher, Why should I grieve at my declining fall? — Farewell, fair queen; weep not for Mortimer, That scorns the world, and, as a traveller, Goes to discover countries yet unknown.