Engagement with Knavery: Point of View in Richard III, The Jew of Malta, Volpone, and The Revenger's Tragedy

action actually allows amusement Anne apparent argument asides audience awareness Barabas Barabas's beginning brother characters Christian comic command course critics detachment direct distinction Duke earlier effect Elizabethan engagement enjoy experience exposes eyes fact fall feel Ferneze final follow fools force given gives hand hold hope interest irony Jew of Malta judgment keep kind knave knavery knavish laugh leave less live look master means moral Mosca murder nature never notes offers once onstage opening performance perspective play play's plot point of view presents provides question reading relationship response revenge Revenger's Tragedy Rich Richard role scene scheme sense sequence Shakespeare's share simple soliloquy speech spirit sport stage stand studies success suggests surely theatrical things thou true turn understanding University Press Vice victims villain Vindice Vindice's Volpone Volpone's watch winning