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Pastorini, sonnet from, 419.

Père la Chaise, cemetery of, 155.
Persian and Arabic literature, on, 262.
Physiognomy and Craniology, 121.
Pilgrimages, Modern, No. II. 39-Ros-
sanna, ib.-Ovaca, ib.-Mrs. Tighe,
ib.-III. the Pantheon, 217-IV. the
Paraclete, 562.

Pirate, review of, 188-excellencies of
the author of, and defects, 188, 189—
analysis of, 190, 191.
Place on Population, review of, 541-
observations on, ib.-difference be-
tween Godwin and Malthus, 542-
tables of Sweden, ib.-comparison
with America, 543-Franklin's opin-
ion, 544-Godwin's scale of increase,
ib.-false statement of Cobbet, 545-
errors of Booth and Godwin, 546-
United States population, 547-Bri-
tish population, 548-English and
Swedish, 549-adjustment of labour
to capital, 550.
Plato, republic of, 512.
Plumb-pudding, reflections upon, 88.
Pocket-book, lines from my, 199.
Poets, Italian; Michel Angelo, 339-
Frederick II. and Pietro delle Vigne,

455.

Poetry. Sonnet to a friend, 12—Rome,
16-written on the spot where the ear-
lier years of the writer were passed,
21-to my children sleeping, 28-
Milk and Honey, 35, 37-stanzas on
skulls in Beauley Abbey, 57-epi-
gram, 55—the younger brother, 65-
modern courtship, 71—a sea-side re-
verie, 80-on an intended removal
from a favourite residence, 81-to Ju-
lia, 96-the haunch of venison, 126—
the obliging assassin, 140-sonnet,144
-ballad from the Spanish, 154-song,
163-Simplicity, 187-sonnet, 192-
lectures on, 193, 385-lines written
in sickness, 199-fragment from my
pocket-book, ib.-Discontent, a son-
net, ib.-sonnet of Quevedo, 215-to
a log of wood, 216-sonnet from Fran-
cisco Redi, 231-sonnet,Celio Magno,
246-Milk and Honey epistles, 35, 37,
179, 243, 245, 376, 435, 437-South
American patriots' song, 253-lines
written on the field of Crecy, 261-
sonnet of Angelo di Costanzo, 266-
sketches of Italy, 267-for the tomb of
those who fell at Waterloo, 287-
song, 288-to a lady who said she
was unhappy, 296-address to the la-
dy-bird, ib.-from Anacreon, 300
Time, from Tasso, 308-two sonnets
from Filicaja, 320-on hearing an al-
most forgotten song, 328-on a monu-
ment by Chantrey, 336-on my twen-
tieth birth-day, 338-Concealment,
348—on a lady professing her belief in

astrology, 356-to the first of March,
364-lines to Miss Tree, 384-Peter
Pindarics, 395, 517-the Lawyer and
Chimney-sweeper, 406-selections
from the ancient Spanish, 407-son-
net; bombardment of Genoa, 419-
sonnet, 449-song, 454-sonnet, ib.-
ditto, 469-two sonnets, 475-love,
480-sonnet, 485, 490—air, “ Fly not
yet," 496-sonnet: Pompeii, 511—
ode to Mahomet, 533-the spectre
boat, 550-song, 553-Venice, 568-
song, 572-men of England, 576.
Pope and Bacon, their love of garden-
ing, 224.

Popular and traditionary literature, Ger-
man, 289.

Portrait of a Septuagenary, by himself,
209-first twenty years of my life, 211
-continued, 301-from twenty to
forty, 301 to 305-from forty to sixty,
305 to 307-continued, 423--from
sixty to seventy, 424.


Quevedo, sonnet of, 215.
R

Religion in the Highlands, state of, 329.
Republic of Plato, 512.
Reverie, a seaside, 80.
Reviews: the Pirate, 188-Lord Wal-
pole's Memoirs of George II. 357-the
Martyr of Antioch, 378-Catiline,
471-M'Queen's Northern Central Af-
rica, 476-Place on Population, 541.

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Septuagenary, portrait of, by himself,
209, 301, 423.
Shakspeare's Bertram, remarks on the
character of, 481-Garrick's delivery
of a passage in, 551.
Sickness, lines written in, 199.
Siddons (Mrs.), at Lausanne, 26.
Silesian travellers, the, 274.
Simplicity, 187.

Sketches of Italy, 267-passage of the
Alps, ib.-continued, 334-Como, ib.
568-Venice, ib. 569 to 572.
Smith Velant, the, 527.
Song, 163-South American patriots,
253-song, 288-on hearing an almost
forgotten, 328-Concealment, 348-
song, 454, 553-by T. Campbell, 572
--Men of England, 576.

Sonnets: to a friend, 12-written on the
spot where the earlier years of the
writer were passed, 21-to my child-
ren sleeping, 28-on an intended re-
moval from a favourite residence, 81
-to sleep, 144-to discontent, 199-
of Quevedo, 215-Francisco Redi,231

-Celio Magno, 246—Angelo di Cos-
tanzo, 266-two of Filicaja; on the
death of Christina, to Italy, 320-
from Pastorini, 419-449, 454, 469-
two,475, 485, 490-essay on Milton's,
238.

Spanish, ballad from the, 154-poetry,
selections from, 407.

Spirit in the bottle, the, 292.
Spectral etiquette, 347.

Spectre boat, the, a ballad, 550.
Stanzas on a monument by Chantrey,
336.

Surgeon and House-painters, 517.
Switzerland, letters on a tour in, 22,
200-Geneva and Ferney-Voltaire,
201-M. Sismondi, ib.-La Bonne-
ville, 202-Mont Blanc, 203-Cha-
mounix, ib.-valley of the Arve, ib.—
the glaciers, 205-the Arveiron, 206
-Mont Blanc from Chamouni, ib.—
disappoints expectation, ib.-the Mer
de Glace, 207-the guides, 208-
their character, ib.

T

Table Talk, 73, 127, 238-on going a
journey, ib.-best to be alive on such
occasions, 74-reflections on its ef-
fects, 78, 79-on great and little
things, 127-effects of, upon the
temper, 130-anecdote respecting an
unfortunate Italian, 136,137--miscal-
culation of Napoleon as to refinement
and barbarism, 138-on Milton's son-
nets, 238-truly his own, ib.-com-
parison with Wordsworth's 239--his
state sonnets, 240-his proneness to
pleasing outward impressions, 242--
Burleigh House, 444--reflections on
revisiting, ib.-The Claudes there,
446-the dream of a painter, 447—a
Paul Brill, ib.-other pictures there,
448--carving and foliage of the rooms,
ib.-two heads of Raphael's, ib.-
singular marriage of the Earl of Exe-
ter, 449.
Talkers, on, 297.

Talma the actor, 313.

Tasso, verses of, on time, 308.
Temple, old Christmas times at the, 10
-master of the revels in, 11.
Theatre, French, green-room of, 309.
Things, essay on great and little, 127.
Time, a chapter on, 41--we know no-
thing of it, 42-the great difference
in the duration of men's lives, 43—
lawyers among true livers, 45-meta-
physicians also, ib.-verses from Tas-
so on, 308.

Tour in Switzerland, letters on, 22, 200.
Tourist, journal of a, 82-public build-
ings of Paris, 83-Versailles, ib.-
Trianon, 87.

Tours, letters from, 525.
Travellers, the Silesian, 274.
Tree, lines to Miss M. Á., 384.
Trinity College, Cambridge, forty years
ago, 420.

Tronchin, his character, 232.

V

Valentine writing, 228.
Venice, sketch of, 568.
Velant Smith, the, 527.
Versailles, account of, 83.
Visit to London, Mr. P.'s, 401.
Voltaire, Casanova's visit to, and Haller,
171-conversations with, 173--intro-
duction of Mr. Fox, to, 174-Count
Algarotti, ib.-Alexandrine verses,
175-Ariosto, ib.--Voltaire's transla-
tion of a stanza of Ariosto, 176-Ma-
dam Denis, ib.-recitation of the Or-
lando, 177-its effect, ib.-L'Ecos
saise, 178-continued, 232--the Duke
de Villars, 232-Tronchin, ib.-Tas-
soni, ib.-conversation respecting
Merlin Cocci, 233—the Marquis Al-
bergati, 234-Goldoni, ib.-La Pu-
celle, 235-Martelli's Alexandrines,
236-dialogue on governments, ib.-
joke respecting Haller, 237.

W

Walpole's Memoirs of George II. 357-
character of the work, 357-of George
II. 358-his Queen, 359--the King
and Duke of Cumberland, 360-Wal-
pole's character of himself, 361-the
five great men of his time, ib.--Bubb
Dodington, 362-Princess Caroline,
363-her death, 364.

Walton's Complete Angler, remarks on,

491.

Waterloo, lines for the tomb of those
who fell at, 287.

Women, 141-paradoxes respecting
them, 143, 144.

Wood, to a log of, in the fire, 216.
World, the, 486.

Y

Year, the new, 181-beginning of, among
different nations, ib.-calculations of,
182-ceremonies observed at, 183--
the wasɛail bowl, 184-reflections,
185, 186.

END OF THE THIRD VOLUME.

THE

New Monthly Magazine.

ORIGINAL PAPERS.

THE GALLERY OF APELLES.

A Fragment of a Grecian Tale, translated from a Greek manuscript discovered in the Summer of 1814.

The adventure which led to the discovery of the manuscript, from which the subjoined translation has been made, is not one of those that can be ushered in as curious or extraordinary. It is, indeed, little beyond a common-place occurrence; but it possesses the advantages of simplicity and truth, which, in my mind, can give, even to common-place, a charm far beyond the reach of singularity and pretension. I shall therefore briefly relate it.

In the memorable year 1814, when the vast theatre of Napoleon's pride and power was thrown open to British subjects, I was one of the many who hastened to go over what had so long been forbidden ground. My intention was, having made but a short stay at Paris, to cross the Alps and visit Rome, the object of my early and unbounded veneration. A friend told me that he should charge me with a commission to execute on my way. He was of a Roman Catholic family; and his only sister, in the very blossom of her youth, had sacrificed fortune, beauty, and the graces, to a life of religious seclusion. The place of her retirement was a small convent beyond the Alps, on the great Milan road, at the village of Vallerosa. My commission was, to purchase, at Paris, a collection of the small medals, crucifixes, rosaries, and amulets, which had been issued from the Imperial mint on the occasion of Napoleon's being crowned "the Lord's anointed" by the Pope-all of which professed to have received the benediction of the holy father. I was, however, particularly cautioned to guard against a fraud, which, according to the letter of the fair recluse, the bijoutiers of Paris sometimes practised on the faithful, viz. imposing comme benis du Pape, what had received the blessing only at second hand,-by being placed in contact with others that had received the primary benediction. I was, also, charged with letters from my friend, and the other members of his family, for the novice-nun and the abbess of Vallerosa. Having passed some days at Paris pleasantly enough (I owe this acknowledgment en passant,) I began to think of continuing my journey. My first care was to execute my commission. I consulted on the subject a charming friend, with whom I had the good fortune to become acquainted during my short stay in the French capital. She observed, with a smile, that she thought Englishmen were all heretics, and had no faith in Bons Dieux, offering, at the same time, to accompany me to the Quai des Orfèvres. We

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proceeded immediately to her jeweller's. She mentioned what I wanted, the caution given me respecting the genuineness of the benediction, my being a heretic and therefore without discrimination in those things-all in that tone of delicate banter which French women can assume with so much tact and fascination. As we were leaving the shop with my assortment of holy relics in a small box, I noticed Sophie (for so my lovely friend was named) looking at a small watch, one of those usually worn by French women, suspended from the neck. I asked her to let me see it. She gave it to me, observing that her attention had been fixed by the painting of St. George, our patron, spearing the Dragon, on the cover. The painting was really pretty. I purchased the watch for a few Napoleons, and presented it to Sophie. She declined accepting it, and declared that she would have prevented my purchasing it, but that she thought I designed it for a present à ma bien-aimée in England. I urged her to give that proof of her confidence and esteem-which she no longer denied me. I perceived that she wore no chain, and asked the jeweller to produce some from which to choose. To this she objected in a decisive tonedesired the jeweller at the same time to let her see some chains of a particular workmanship and value-selected one the most costly and superb-passed it round her neck with the watch suspended from it-and looking at me with a smile significant of soul and sentiment beyond the power of language to express, hid the happy bauble in one of the loveliest bosoms in the world. I would make one remark here for the benefit of my countrymen; he who aspires to please French women must assume, if he has not, the virtue of generosity. They will receive "tokens of affection" from "a chosen friend," but without disenchanting the sex of its delicacy, or sentiment of its disinterestedness. Sophie was an epitome of all that is most charming in her countrywomen. I think I first loved her for a certain accordance of her character with her name, which, in Greek, conveys a sedate propriety of female demeanour that reminds one of Minerva,-relieved, however, in the demeanour of Sophie, by delightful alternations of French vivacity and playfulness. The thought struck me one evening in her society that she resembled Hebe acting the part of Minerva, for the entertainment of the court of Olympus. I addressed her a copy of verses, which turned upon this idea. Never were verses or poet in higher vogue. All the world met me with compliment and congratulation. But there is no glory without its alloy. Mine certainly was not. In the first place, the auditors scarcely understood a syllable of what they praised, and, even if they did, my unhappy verses were declaimed by a pigeon-headed voltigeur, who, after twenty-five years emigration passed in England, mangled our language into a jargon so whimsical as to convulse with laughter any person knowing English-excepting only the unfortunate author. But my greatest torture was the self-complacent grimace with which the Knight of St. Louis appealed to my candour, for the marvellous skill with which he had mastered the finesses of English pronunciation. The second mortification was still more grievous. My vogue lasted but three days. A cursed Prussian, maliciously introduced by one of my best friends, had the art of imitating, with his voice, the blowing of

a trumpet. His first blast blew all the world into an ecstasy, and me and my verses into utter oblivion. I could not help confiding my surprise (for so I called the vexation of my mortified conceit) to Sophie. "What!" said she, laughing outright in my face, "not satisfied at Paris with a vogue of three days! Why even I, who love you, should have gone off with the Prussian, like the rest, if my vanity were not ranged on your side by the flattery of my charms -Ma foi, vous êtes bien exigeans, vous, Messieurs les Anglais." I perceived the justice of what she said, made an effort to laugh too, and, having bid her a sincerely affectionate farewell, left Paris that very day. By a somewhat curious opposition, the only stage at which I made any delay, on my way to the convent, was the residence of Voltaire. I verily believe the air breathed by the old sinner is still charged with contagious impiety. I have not the least taste for profaneness, of which I am indeed intolerant, from a sentiment that even wit cannot redeem it from the original sin of bad taste. Yet I passed the whole night previous to my intended visit to Ferney, composing, or rather dreaming profane compliments and impious epigrams, as the means of gaining admission to the presence of the "old patriarch," whom, in the capriciousness of my dreams, I imagined still living, and invisible to all but some fortunate few of the numberless pilgrims who visited his dwelling.* Perhaps I may one day give them to the world as "psychological curiosities."

The reader (if what I write should ever meet a reader's eye) may now imagine me at the convent gate of Vallerosa. Diverging from the great road, and winding a half-circle round a jutting rock, the convent appears, to the traveller, embosomed in a valley beneath him, and "looking tranquillity." I rang the bell, and was immediately admitted to the parlour. The abbess addressed me in English with the politeness of one accustomed to the best society. She was the sister of a deceased Irish peer, whom a disappointment of the heart had, in her youth, driven from the world, which she was made to adorn. Upon receiving my letters, she retired for a few moments, and returned with the sister of my friend. I beheld her, not quite twelve months before, blooming and beautiful, and lovely as the morning rose-arrayed in the elegancies of a costly toilette, directed by the best taste-her heart light, her voice musical, her eyes radiant. I raised my eyes, and now be

"Empressé d'aller rendre ses homages à Voltaire, dont il était un des plus zélés disciples, M. de Guibert se présenta au chateau, où il fut très bien accueilli par Madame Denis; mais malgré ses instances et ses sollicitations, il ne put voir le Patriarche de Ferney, qui alors, accablé d'ans et d'infirmités, et jaloux de mettre à profit ce qui lui restait d'une vie si glorieusement employée à l'illustration de la France littéraire, refusait obstinément de se montrer à la foule d'illustres personnages que la célébrité de son nom attirait de tous les pays. M. de Guibert, après avoir attendu inutilement pendant plusieurs jours, se détermina enfin à partir. Mais avant de quitter le chateau, il voulut tenter un dernier effort; il le fallut violent pour réussir-aussi le fut-il. I traça à la hâte, et au crayon, le distique suivant, et le fit porter a son hôte :

Je vous trouve, ô Voltaire! en tout semblable à Dieu, Sans vous voir, on vous boit, on vous mange en ce lieu. Cette saillie un peu impie produisit l'effet désiré. Le front du viex philosophe se dérida, la consigne fut levée. M. de Guibert fut introduit; Voltaire se jetat dans ses bras, et le retint encore pendant plusieurs jours chez lui."--ANON.

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