Rhetoric and Renaissance Culturede Gruyter, 2004 - Počet stran: 581 Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance. |
Vyhledávání v knize
Výsledky 1-3 z 40
Strana 266
... performance is characterized by a mimesis that is not only true to reality but above all effective . This is the essence of rhetorical realism . The way this theatrical realism produces its effect is illustrated in numer- ous anecdotes ...
... performance is characterized by a mimesis that is not only true to reality but above all effective . This is the essence of rhetorical realism . The way this theatrical realism produces its effect is illustrated in numer- ous anecdotes ...
Strana 267
... performance of this drama ; but – in complete contrast to the popular anecdotes he does not reveal himself to the audience . - - Orators are actores , while actors are imitatores of the truth - this is Cicero's pointed formulation of ...
... performance of this drama ; but – in complete contrast to the popular anecdotes he does not reveal himself to the audience . - - Orators are actores , while actors are imitatores of the truth - this is Cicero's pointed formulation of ...
Strana 438
... performance of The Murder of Gonzago . He wants to move King Claudius so deeply that the latter is forced to confess his crimes . The rhetorical actio principle of emotional self - affecting plays an impor- tant role in the Renaissance ...
... performance of The Murder of Gonzago . He wants to move King Claudius so deeply that the latter is forced to confess his crimes . The rhetorical actio principle of emotional self - affecting plays an impor- tant role in the Renaissance ...
Obsah
Renaissance Culturology and Rhetoric | 1 |
Inventio Poetica | 111 |
Dispositio Poetica | 151 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action actor Apology for Poetry Art of Memory Arte of English Arte of Rhetorique artem Ben Jonson century chap chapter Cicero classical comedy commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio Eloquence emblem emotions enargeia England English Poesie epideictic Essays Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago Iago's icon illustrate images imagination intertextuality inventio invention Johann John Julius Caesar Scaliger language Latin libri literary literature London meditation metaphor mnemonic München nature orator oratory Orpheus Othello Oxford painter painting passion philosophy pictorial picture play poem poet poeta poetic poétique Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik Richard role Scaliger Shakespeare's Sidney Sidney's speaking speech Studies style stylistic theatrical theory things Thomas Thomas Sébillet tion tradition tragedy Trans translation treatise tropes verbal visual words York