Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - Počet stran: 279 Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Strana 104
... simply for having the same name as one of the conspirators ( 3.3 ) con- firms the victory of unreason and gives us our first taste of the chaos invoked by Antony when he stood alone over Caesar's corpse . Now , reconsidering that ...
... simply for having the same name as one of the conspirators ( 3.3 ) con- firms the victory of unreason and gives us our first taste of the chaos invoked by Antony when he stood alone over Caesar's corpse . Now , reconsidering that ...
Strana 164
... simply that they could see there , as we do , a countryside not located in any imaginable England or at any imaginable time but in an eternal moment of human possibility . Nor was it simply that the torrential passion of the old king ...
... simply that they could see there , as we do , a countryside not located in any imaginable England or at any imaginable time but in an eternal moment of human possibility . Nor was it simply that the torrential passion of the old king ...
Strana 232
... simply to write po- etry , and partly to impress on the audience thoughts which will help them to understand , not the player - king nor yet King Claudius , but Hamlet himself . " These failings , Bradley concludes , belong to an art of ...
... simply to write po- etry , and partly to impress on the audience thoughts which will help them to understand , not the player - king nor yet King Claudius , but Hamlet himself . " These failings , Bradley concludes , belong to an art of ...
Obsah
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Autorská práva | |
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action already Antony appears audience become beginning believe bring Brutus Caesar character Cleopatra close comes course critics death Desdemona dream earlier effect Elizabethan engagement experience eyes face fact fall father feeling figure Fool give Hamlet hand hear heart hero human imagination instance Juliet killed kind King Lear language later least light lines lives look lovers Macbeth madness marriage matter meaning mind mother moves murder mystery nature never night once opening Othello passion perhaps person play play's possibly present question reason relation Romeo says scene seems seen sense Shake Shakespeare simply sort speaks speech stage stand story tells theater thee thing thou thought tion tragedy tragic true turn University voice whole woman young