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fault each appearance in the sky, and the varied phenomena of heaven and earth filled him with deep emotion. He made his study and reading-room of the shadowed copse, the stream, the lake, and the water-fall. Ill health and continual pain preyed upon his powers; and the solitude in which we lived, particularly on our first arrival in Italy, although congenial to his feelings, must frequently have weighed upon his spirits: those beautiful and affecting Lines, written in Dejection at Naples,' were composed at such an interval; but, when in health, his spirits were buoyant and youthful to an extraordinary degree. "Such was his love for nature, that every page of his poetry is associated in the minds of his friends with the loveliest scenes of the countries which he inhabited. In early life he visited the most beautiful parts of this country and Ireland. Afterwards the Alps of Switzerland became his inspirers. 'Prometheus Unbound' was written among the deserted and flower-grown ruins of Rome; and, when he made his home under the Pisan hills, their roofless recesses harboured him as he composed 'The Witch of Atlas,' 'Adonais,' and 'Hellas.' In the wild but beautiful Bay of Spezia, the winds and waves. which he loved became his playmates. His days were chiefly spent on the water; the management of his boat, its alterations and improvements, were his principal occupation. At night, when the unclouded moon shone on the calm sea, he often went alone in his little shallop to the rocky caves that bordered it, and, sitting beneath their shelter, wrote 'The Triumph of Life,' the last of his productions. The beauty but strangeness of this lonely place, the refined pleasure which he felt in the companionship of a few selected friends, our entire sequestration from the rest of the world, all contributed to render this period of his life one of continued enjoyment. I am convinced that the two months we passed there were the happiest he had ever known his health even rapidly improved, and he was never better than when I last saw him, full of spirits and joy, embark for Leghorn, that he might there welcome Leigh Hunt to Italy. I was to have accompanied him, but illness confined me to my room, and thus put the seal on my misfortune. His vessel bore out of sight with a favourable wind, and I remained awaiting his return by the breakers of that sea which was about to engulf him.

"He spent a week at Pisa, employed in kind offices towards his friend, and enjoying with keen delight the renewal of their intercourse. He then embarked with Mr. Williams, the chosen and beloved sharer of his pleasures and of his fate, to return to us. We waited for them in vain; the sea by its restless moaning seemed to desire to inform us of what we would not learn:—but a veil may be drawn over such misery. The real anguish of these mo. ments transcended all the fictions that the most glowing imagination ever pourtrayed: our seclusion, the savage nature of the inhabitants of the surrounding villages, and our immediate vicinity

to the troubled sea, combined to imbue with strange horror our days of uncertainty. The truth was at last known,-a truth that made our loved and lovely Italy appear a tomb, its sky a pall. Every heart echoed the deep lament; and my only consolation was in the praise and earnest love that each voice bestowed and each countenance demonstrated for him we had lost, not, I fondly hope, for ever: his unearthly and elevated nature is a pledge of the continuation of his being, although in an altered form. Rome received his ashes; they are deposited beneath its weed-grown wall, and 'the world's sole monument' is enriched by his remains.

"Julian and Maddalo,' 'The Witch of Atlas,' and most of the Translations, were written some years ago, and, with the exception of the Cyclops,' and the scenes from the 'Magico Prodigioso,' may be considered as having received the author's ultimate corrections. The Triumph of Life' was his last work, and was left in so unfinished a state, that I arranged it in its present form with great difficulty. Many of the Miscellaneous Poems, written on the spur of the occasion, and never retouched, I found among his manuscript books, and have carefully copied : I have subjoined, whenever I have been able, the date of their composition.

"I do not know whether the critics will reprehend the insertion of some of the most imperfect among these; but I frankly own, that I have been more actuated by the fear lest any monument of his genius should escape me, than the wish of presenting nothing but what was complete to the fastidious reader. feel secure that the Lovers of Shelley's Poetry (who know how more than any other poet of the present day every line and word he wrote is instinct with peculiar beauty) will pardon and thank me: I consecrate this volume to them.

66

'London, June 1, 1824."

"MARY W. SHELLEY.

I

The above outline of Mr. Shelley's life and writings is taken from an edition of his Poetical Works, published at Paris in 1829, by A. and W. Galig

nani,

J. W.

TO HARRIET **

Whose is the love that, gleaming through the world,
Wards off the poisonous arrow of its scorn?
Whose is the warm and partial praise,

Virtue's most sweet reward?

Beneath whose looks did my reviving soul
Riper in truth and virtuous daring grow ?
Whose eyes have I gazed fondly on,
And loved mankind the more?

Harriet on thine :-thou wert my purer mind;

Thou wert the inspiration of my song;

Thine are these early wilding flowers,

Though garlanded by me.

Then press unto thy breast this pledge of love,

And know, though time may change and years may roll, Each flowret gathered in my heart

It consecrates to thine.

QUEEN MAB.

I.

How wonderful is Death,
Death and his brother Sleep!
One, pale as yonder waning moon
With lips of lurid blue;
The other, rosy as the morn

When throned on ocean's wave
It blushes o'er the world:
Yet both so passing wonderful!

Hath then the gloomy Power
Whose reign is in the tainted sepulchres
Seized on her sinless soul?

Must then that peerless form

Which love and admiration cannot view
Without a beating heart, those azure veins
Which steal like streams along a field of snow,
That lovely outline, which is fair

As breathing marble, perish?
Must putrefaction's breath

Leave nothing of this heavenly sight
But loathsomeness and ruin?
Spare nothing but a gloomy theme,
On which the lightest heart might moralize?
Or is it only a sweet slumber

Stealing o'er sensation,

Which the breath of roseate morning
Chaseth into darkness?

Will Ianthe wake again,

And give that faithful bosom joy

Whose sleepless spirit waits to catch

Light, life, and rapture from her smile?

Yes! she will wake again,

Although her glowing limbs are motionless,
And silent those sweet lips,

Once breathing eloquence,

That might have soothed a tiger's rage, Or thawed the cold heart of a conqueror.

B

Her dewy eyes are closed,

And on their lids, whose texture fine
Scarce hides the dark blue orbs beneath,
The baby Sleep is pillowed:

Her golden tresses shade
The bosom's stainless pride,

Curling like tendrils of the parasite
Around a marble column.

Hark! whence that rushing sound?
'Tis like the wondrous strain
That round a lonely ruin swells,
Which, wandering on the echoing shore,
The enthusiast hears at evening:
'Tis softer than the west wind's sigh;
'Tis wilder than the unmeasured notes
Of that strange lyre whose strings
The genii of the breezes sweep:
Those lines of rainbow light

Are like the moonbeams when they fall
Through some cathedral window, but the teints
Are such as may not find
Comparison on earth.

Behold the chariot of the Fairy Queen!
Celestial coursers paw the unyielding air;
Their filmy pennons at her word they furl,
And stop obedient to the reins of light:
These the Queen of spells drew in,
She spread a charm around the spot,
And leaning graceful from the etherial car,
Long did she gaze, and silently,

Upon the slumbering maid.

Oh! not the visioned poet in his dreams,

When silvery clouds float through the wildered brain, When every sight of lovely, wild and grand

Astonishes, enraptures, elevates,

When fancy at a glance combines
The wondrous and the beautiful,-
So bright, so fair, so wild a shape
Hath ever yet beheld,

As that which reined the coursers of the air,
And poured the magic of her gaze
Upon the maiden's sleep.

The broad and yellow moon

Shone dimly through her form

That form of fauntless symmetry;
The pearly and pellucid car

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