 | Samuel Johnson - 1765 - 80 str.
...concatenation. It is objected, that by this change of Icenes the paffions are interrupted in their progrefiion, and that the principal event, being not advanced by...mingled fcenes feldom fail to produce the intended vicifiitudes of paffion. Fiction cannot move fo much, but that the attention may be eafily transferred... | |
 | Several Hands - 1765 - 624 str.
...' It is objected, that by this change of fcenes the paillons are interrupted in their progreffion, and that the principal event, being not advanced by...mingled fcenes feldom fail to produce the intended vtciflitudes of paillon. Fi&ion cannot move fo much, but that the attention may be eafily transferred... | |
 | William Shakespeare - 1768 - 676 str.
...concatenation. It is objected, that by this change of fcenes the pafiions are interrupted in their progreflion, and that the principal event, being not advanced by...of preparatory incidents, wants at laft the power \o move, which conftitutes the perfe&ion ofdramatickipoetry. This reafoning is fo fpecious, that it... | |
 | William Shakespeare - 1773 - 554 str.
...concatenation. It is objected, that by this change of fcenes the paflions are interrupted in their progremon, and that the principal event, being not advanced by...mingled fcenes feldom fail to produce the intended viciffitudes of paflion. Fiction cannot move fo much, but that the attention may be eafily transferred... | |
 | Samuel Johnson - 1774 - 374 str.
...Concatenation. It is objected, that by this Change of Scenes the Paffions are interrupted in their Progreffion ; and that the principal Event, being not advanced by...Experience feel it to be falfe. The Interchanges of mingled Scenes feldom fail to produce the intended Viciffitudes of Paffion. Fiction cannot move fo much, but... | |
 | Samuel Johnson - 1774 - 412 str.
...Concatenation. It is objected, that by this Change of Scenes the Paflions are interrupted in their Progreflion ; and that the principal Event, being not advanced by...Power to move, which conftitutes the Perfection of dramatkk Poetry. This Reafoning is fo fpecious, that it is received as true even by thofe who in daily... | |
 | Samuel Johnson - 1774 - 374 str.
...Concatenation. It is objected, that by this Change of Scenes the Paffions are interrupted in their Progreffion ; and that .the principal Event, being not advanced by a due Gradation of preparatory Incidents, wants atlaft the Power to move, which conftitutes the Perfection of dramatick Poetry. This Reafoning is fo... | |
 | William Shakespeare - 1778 - 746 str.
...concatenation. It is obje&ed, that by this change of fcenes the. paffions are interrupted in their progreffion, and that the principal event, being not advanced by...a due gradation of preparatory incidents, wants at la$ the power to move, which conftitutes the perfection of dramatick poetry. This reafoning is fo fpecious,... | |
 | Samuel Johnson, John Hawkins - 1787 - 500 str.
...concatenation. It is objected, that by this change of fcenes the paflions arc interrupted in their progreffion, and, that the principal event, being not advanced...of dramatick poetry. This reafoning is fo fpecious, tlut it is received as true even by tliofe who in daily experience fed i: to be falfe. The interchanges... | |
 | William Shakespeare - 1788 - 346 str.
...concatenation. It is objected, that by this change of scenes the passions are interrupted in their progression, and that the principal event, being not advanced by...a due gradation of preparatory incidents, wants at last the power to move, which constitutes the perfection of dramatick poetry. This reasoning is so... | |
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It is objected that by this change of scenes the passions are interrupted in their progression, and that the principal event, being not advanced by a due gradation of preparatory incidents, wants at last the power to move which constitutes the perfection... 
